Richard Strauss, Neeme Järvi, Royal Scottish National Orchestra's 'Josephslegende, Op. 63, TrV 231: No. 7, Allegro moderato' came out on June 1, 2013. With Josephslegende, Op. 63, TrV 231: No. 7, Allegro moderato being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 27 in the song's album "Strauss: Josephslegende, Love Scene from Feuersnot & Festmarsch". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Josephslegende, Op. 63, TrV 231: No. 7, Allegro moderato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Josephslegende, Op. 63, TrV 231: No. 7, Allegro moderato by Richard Strauss, Neeme Järvi, Royal Scottish National Orchestra having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Violin Concerto No. 2 in A Major, Op. 5: II. Largo | Joseph Boulogne Chevalier de Saint-Georges, Anne-Sophie Mutter, Mutter's Virtuosi | D Minor | 1 | 7A | 104 BPM | ||
5 Lieder, Op. 39, TrV 189: No. 4. Befreit | Richard Strauss, Hedwig Fassbender, Hilko Dumno | E Minor | 2 | 9A | 72 BPM | ||
Crisantemi for string orchestra | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | F♯ Minor | 0 | 11A | 101 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM |
Section: 2.5965218544006348
End: 2.600792407989502