Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker's 'Mozart: Requiem in D Minor, K. 626: II. Kyrie' came out on 1987. The duration of Mozart: Requiem in D Minor, K. 626: II. Kyrie is about 3 minutes long, at 3:03. Based on our data, "Mozart: Requiem in D Minor, K. 626: II. Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Requiem" album is number 2 out of 15. Mozart: Requiem in D Minor, K. 626: II. Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: II. Kyrie by Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem d-moll, KV 626: I. Introitus - Requiem | Wolfgang Amadeus Mozart, Anna Korondi, Gerhild Romberger, Jörg Dürmüller, Jochen Kupfer, Chorgemeinschaft Neubeuern, KlangVerwaltung Orchestra, Enoch zu Guttenberg | F Minor | 1 | 4A | 62 BPM | ||
Grande Messe en ut mineur, K. 427: Qui tollis | Wolfgang Amadeus Mozart, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Mechthild Georg, Alexander Stevenson, Philip Langshaw | C Major | 2 | 8B | 90 BPM | ||
Requiem in D Minor, K. 626: III. Sequenz, No. 6, Lacrymosa | Wolfgang Amadeus Mozart, Andrej Kucharsky, Catherine Bremen, Elisabeth Santi, Todd Donovan, London Philharmonic Choir, David Parry, London Philharmonic Orchestra | G Minor | 2 | 6A | 96 BPM | ||
Polovtsian Dances, from: Prince Igor: Introduzione. Andantino | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Symphony No. 7 in A major, Op. 92: II. Allegretto | Nicolaus Esterhazy Sinfonia | E Minor | 0 | 9A | 143 BPM | ||
Verdi: Messa da Requiem: I. Introit - Kyrie | Giuseppe Verdi, Riccardo Muti, Cheryl Studer, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Luciano Pavarotti, Samuel Ramey, Orchestra Del Teatro Alla Scala, Milano | C Major | 2 | 8B | 114 BPM | ||
Holberg Suite, Op.40: 2. Sarabande (Andante) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 85 BPM | ||
Hungarian Dance No. 5 In G Minor, WoO 1 (Orchestrated By Albert Parlow) | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | G Minor | 3 | 6A | 80 BPM | ||
Offertorium | Gabriel Fauré, Lisa Beckley, Elena Filipova, Magdaléna Hajóssyová, Peter Mikulas, Michel Piquemal, Gloria Scalchi, Michel Piquemal Vocal Ensemble, Hungarian State Opera Chorus, Oxford Schola Cantorum, Slovak Philharmonic Chorus, Hungarian State Opera Orchestra, Orchestre De La Cite, Oxford Camerata, Slovak Philharmonic | D Major | 0 | 10B | 72 BPM | ||
Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 4. Sanctus | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 1 | 10A | 135 BPM |
Section: 0.6617422103881836
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