Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Capella Savaria, Pál Németh's 'New Year Cantata: Sinfonia' came out on January 1, 2015. The duration of New Year Cantata: Sinfonia is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. New Year Cantata: Sinfonia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Roman: Secular Cantatas". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hungary. In terms of popularity, New Year Cantata: Sinfonia is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With New Year Cantata: Sinfonia by Johan Helmich Roman, Ilona Maros, Béla Szilágyi, Capella Savaria, Pál Németh having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La serva padrona, symphonia avanti l'opera: Allegro assai e spirituoso | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | D♭ Major | 2 | 3B | 132 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
Le tenebre vinte (Coro) | Andrea Bernasconi, Dorothee Oberlinger, Ensemble 1700 | F♯ Major | 2 | 2B | 144 BPM | ||
Oboe Concerto in D Major, Op. 7 No. 6: I. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | D Major | 4 | 10B | 103 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: VII. Gigue | Cologne Chamber Orchestra, Georg Philipp Telemann | A Major | 2 | 11B | 118 BPM | ||
Symphony in C Major, J-C 4: II. Andante e affettuoso | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 131 BPM | ||
Then Svenska Messan, HRV 404: Ära vare Gud i högden | Johan Helmich Roman, Göteborg Baroque, Anna Jobrant, Karl Peter Eriksson, Magnus Kjellson | B♭ Minor | 1 | 3A | 79 BPM | ||
3e Livre de Sonates à violon seul et basse continue, Sonata Sexta: II. Corrente | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Oboe Concerto in C Major, Op. 9 No. 5: III. Allegro | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | C Major | 4 | 8B | 103 BPM |
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