"Intermezzo from 'Fennimore and Gerda'" by Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner was released on January 1, 1994. Intermezzo from 'Fennimore and Gerda' is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There are a total of 12 in the song's album "The World of Delius". In this album, this song's track order is #8. Intermezzo from 'Fennimore and Gerda' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Intermezzo from 'Fennimore and Gerda' by Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Du bist die Ruh, Op. 59/3, D. 776 | Franz Schubert, Mischa Maisky, Daria Hovora | E♭ Major | 0 | 5B | 67 BPM | ||
Ravel: Miroirs, M. 43: V. La Vallée des cloches | Maurice Ravel, Bertrand Chamayou | D♭ Major | 0 | 3B | 132 BPM | ||
Two Aquarelles: Gaily, but not too quick | Frederick Delius, English Chamber Orchestra, Benjamin Britten | B Minor | 3 | 10A | 108 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Romance for Cello and Piano | Frederick Delius, Yo-Yo Ma, Kathryn Stott | B Major | 0 | 1B | 66 BPM | ||
2 Pieces for Strings from Henry V: No. 2. Touch her soft lips and part | William Walton, English Chamber Orchestra, Julian Lloyd Webber | C Major | 0 | 8B | 72 BPM | ||
Sonata in B Op. posth.: Allegro con brio | Frederick Delius, Tasmin Little | B Major | 2 | 1B | 104 BPM | ||
6 Pezzi, P. 44: No. 1. Valse Caressante | Ottorino Respighi, Konstantin Scherbakov | E♭ Major | 1 | 5B | 70 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM |
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