Johann Sebastian Bach, Masaaki Suzuki made "The Well-Tempered Clavier, Book 1: Prelude in C Major, BWV 846" available on January 31, 1997. The duration of The Well-Tempered Clavier, Book 1: Prelude in C Major, BWV 846 is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. The Well-Tempered Clavier, Book 1: Prelude in C Major, BWV 846's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Masaaki Suzuki's "J.S. Bach: The Well-Tempered Clavier, Book 1" album is number 1 out of 48. On top of that, Sweden appears to be the country where this track was created. Based on our statistics, The Well-Tempered Clavier, Book 1: Prelude in C Major, BWV 846's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of The Well-Tempered Clavier, Book 1: Prelude in C Major, BWV 846 by Johann Sebastian Bach, Masaaki Suzuki to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: 2. Largo ma non tanto | Johann Sebastian Bach, Jaap Schröder, Christopher Hirons, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 2 | 12A | 98 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
The Art of Fugue, BWV 1080 (Roger Vuataz Orchestration): Contrapunctus 1 "Einfache Fuge über das Thema in seiner Urgestalt, a 4" | Johann Sebastian Bach, Antje Geusen, Sabine Fehlandt, Dorte Wetzel, Bernhard Forck | E Minor | 0 | 9A | 108 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
Chopin: Nocturne No. 3 in B Major, Op. 9 No. 3 | Frédéric Chopin, Elisabeth Leonskaja | F♯ Major | 1 | 2B | 138 BPM | ||
Brandenburg Concerto No.3 In G Major, 1st Movement | Philharmonia Slavonica | G Major | 3 | 9B | 172 BPM | ||
Suite in G minor: VII. Rigaudon (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 118 BPM | ||
Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Yo-Yo Ma, Richard Stoltzman, Emanuel Ax | G Major | 1 | 9B | 113 BPM | ||
Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: VII. Menuet | Philharmonia Slavonica, Henry Adolph | B Minor | 1 | 10A | 118 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM |
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