"Cléopatre: "J'ai versé le poison dans cette coupe d'or"" by Jules Massenet, Renée Fleming, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2006. With this song being about 5 minutes long, at 4:36, "Cléopatre: "J'ai versé le poison dans cette coupe d'or"" by Jules Massenet, Renée Fleming, Mariinsky Orchestra, Valery Gergiev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in "Homage" - The Age of the Diva (USA), so we believe that "Cléopatre: "J'ai versé le poison dans cette coupe d'or"" is a single. In terms of popularity, Cléopatre: "J'ai versé le poison dans cette coupe d'or" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cléopatre: "J'ai versé le poison dans cette coupe d'or" by Jules Massenet, Renée Fleming, Mariinsky Orchestra, Valery Gergiev is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Après un rêve, Op. 7, No. 1 | Gabriel Fauré, Joshua Bell | G Minor | 2 | 6A | 59 BPM | ||
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro | Johann Christian Bach, Daniil Trifonov | A Major | 1 | 11B | 135 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
II. Adagio cantabile from Piano Sonata No. 8 in C minor, Op. 13 "Pathetique" - Instrumental | Ludwig van Beethoven, Murray Perahia | A♭ Major | 0 | 4B | 62 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
Peer Gynt Suite No.2 op. 55 Solveig's Song (Andante-Allegretto tranquillamente) | Academy of St. Martin in the Fields | A Minor | 0 | 8A | 93 BPM |
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