Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin's 'Pars VI In G Minor: IV. Amener (Biber)' came out on March 21, 2006. With Pars VI In G Minor: IV. Amener (Biber) being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Masques, Olivier Fortin's "Mensa Sonora - Biber And His Contemporaries" album is number 25 out of 29. In terms of popularity, Pars VI In G Minor: IV. Amener (Biber) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pars VI In G Minor: IV. Amener (Biber) by Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Major, RV 443: I. Allegro | Antonio Vivaldi, Peter Thalheimer, Collegium Musica Rara Stuttgart | G Major | 1 | 9B | 115 BPM | ||
Oboe Sonata in B-Flat Major, HWV 357: II. Grave | London Harpsichord Ensemble, Sarah Francis | G Minor | 1 | 6A | 86 BPM | ||
Sinfonia a 3 in G major: III. Allegrissimo | Domenico Scarlatti, Raffaello Negri/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | F♯ Major | 3 | 2B | 135 BPM | ||
Sinfonia da camera in G Minor, Op. 2 No. 3: III. Adagio | Nicola Porpora, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Trio Sonata in F Major, W. VII:3, B. 12: II. Andante | Johann Christoph Friedrich Bach, London Baroque | D♭ Major | 2 | 3B | 114 BPM | ||
Cello Sonata in F Major, Op. 14, No. 2, RV 41: II. Allegro | Antonio Vivaldi, Martin Rummel, James Tibbles | G Minor | 4 | 6A | 116 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: IV. Alla breve - Adagio | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Chi la dura la vince "Arminio", Act I (Arr. W. Brunner): Giove! Numi! Deh dite | Heinrich Ignaz Franz von Biber, Gotthold Schwarz, Il Dolcimelo, Salzburger Hofmusik, Wolfgang Brunner | C Major | 1 | 8B | 84 BPM |
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