Pablo de Sarasate, Itzhak Perlman, Samuel Sanders made "Sarasate: Spanish Dances, Op. 21: II. Habañera (Allegretto)" available on October 3, 2005. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #18 out of 46 tracks. In terms of popularity, Sarasate: Spanish Dances, Op. 21: II. Habañera (Allegretto) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Sarasate: Spanish Dances, Op. 21: II. Habañera (Allegretto) by Pablo de Sarasate, Itzhak Perlman, Samuel Sanders has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Sarasate: Spanish Dances, Op. 21: II. Habañera (Allegretto) being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: III. Finale. Allegro giocoso, ma non troppo | Antonín Dvořák, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
The Four Seasons, Violin Concerto No. 1 in E Major, RV 269 "Spring": II. Largo | Antonio Vivaldi, Bohuslav Matousek, Zdenek Dejmek, Janacek Chamber Orchestra | D♭ Minor | 0 | 12A | 97 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | C Minor | 2 | 5A | 80 BPM | ||
Sicilienne and Rigaudon (in the style of Francois Francoeur) | Fritz Kreisler, Joshua Bell, Paul Coker | B Minor | 1 | 10A | 180 BPM | ||
9 Studies: No. 1. Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | G Major | 1 | 9B | 129 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Rondo in G Minor, Op. 94, B. 181: Rondo in G Minor for Cello and Orchestra, B. 181 (Op. 94) | Antonín Dvořák, Dmitry Yablonsky, Russian Philharmonic Orchestra | D♭ Minor | 0 | 12A | 169 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM |
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