Cantillation, Brett Weymark's 'It Came Upon the Midnight Clear (Arr. Arthur Sullivan)' came out on November 9, 2012. The duration of It Came Upon the Midnight Clear (Arr. Arthur Sullivan) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. It Came Upon the Midnight Clear (Arr. Arthur Sullivan)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Best-Loved Hymns, so we believe that "It Came Upon the Midnight Clear (Arr. Arthur Sullivan)" is a single. In terms of popularity, It Came Upon the Midnight Clear (Arr. Arthur Sullivan) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of It Came Upon the Midnight Clear (Arr. Arthur Sullivan) by Cantillation, Brett Weymark is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der 13. Psalm, Op. 27 | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | G Major | 1 | 9B | 93 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Song for Athene | John Tavener, Cantillation, Antony Walker | F Major | 0 | 7B | 83 BPM | ||
Holy, Holy, Holy | Cantillation, David Drury, David Russell | D Major | 1 | 10B | 86 BPM | ||
Monkland "Let Us, with a Gladsome Mind" (After Freylinghausen's Fahre fort) [Arr. J.B. Wilkes for Choir & Organ] | John Antes, Wakefield Cathedral Choir, Louise Marsh, Jonathan Bielby | C Major | 2 | 8B | 89 BPM | ||
Wem In Leidenstagen "Glory Be to Jesus" | Friedrich Filitz, York Minster Choir, John Scott Whiteley, Philip Moore | G Major | 1 | 9B | 105 BPM | ||
In the Lord | Rejike | D Major | 0 | 10B | 74 BPM | ||
Come Down, O Love Divine (Arr. Michael Leighton Jones) | Ralph Vaughan Williams, Michael Leighton Jones, Richard Frederick Littledale, The Choir of Trinity College, Melbourne, Jonathan Bradley | D Major | 2 | 10B | 84 BPM | ||
Adoro Te Devote (Jesus, I Adore Thee) | Stephen Caracciolo, Cathedra, Michael McCarthy | D♭ Major | 7 | 3B | 108 BPM |
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