Cantillation, Brett Weymark's 'It Came Upon the Midnight Clear (Arr. Arthur Sullivan)' came out on November 9, 2012. The duration of It Came Upon the Midnight Clear (Arr. Arthur Sullivan) is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. It Came Upon the Midnight Clear (Arr. Arthur Sullivan)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 50 Best-Loved Hymns, so we believe that "It Came Upon the Midnight Clear (Arr. Arthur Sullivan)" is a single. In terms of popularity, It Came Upon the Midnight Clear (Arr. Arthur Sullivan) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of It Came Upon the Midnight Clear (Arr. Arthur Sullivan) by Cantillation, Brett Weymark is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Liturgy Of St. John Chrysostom, Op. 31: Come, Let Us Worship | Lege Artis Chamber Choir, Boris Abalyan | D Minor | 1 | 7A | 79 BPM | ||
Nella Fantasia (From "The Mission") [Arr. Sean O'Boyle] | Ennio Morricone, Sean O’Boyle, Chiara Ferraù, David Hobson, Shefali Pryor, Cantillation, Sinfonia Australis, Guy Noble | B Major | 7 | 1B | 108 BPM | ||
Exsultet | John Repulski, Karl Blume, John Strege | G Minor | 1 | 6A | 76 BPM | ||
O Sacred Head Surrounded | Hans Hassler, Benedictines of Mary, Queen of Apostles | D♭ Major | 1 | 3B | 71 BPM | ||
How Lovely is Thy Dwelling Place | Johannes Brahms, Robert Shaw | A Major | 2 | 11B | 93 BPM | ||
Magnificat in D Major | Herbert Brewer, Gloucester Cathedral Choir, Mark Lee, John Sanders | F Major | 0 | 7B | 140 BPM | ||
When Jesus Wept | The Concordia Choir | E Minor | 0 | 9A | 71 BPM | ||
Iphigénie en Tauride, Wq. 46, Act II: Act II Scene 6: Ô malheureuse Iphigénie! | Christoph Willibald Gluck, Caitlin Hulcup, Cantillation, Orchestra of the Antipodes, Antony Walker | C Major | 3 | 8B | 169 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM | ||
Brahms: Geistliches lied Op. 30 | St. Albans Cathedral Choir, Simon Johnson | E♭ Major | 1 | 5B | 70 BPM |
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