Francesco Mancini, Paolo Perrone, Capella Tiberina's 'Concerto No. 16 in F Major: III. Un poco andante' came out on September 2, 2016. The duration of Concerto No. 16 in F Major: III. Un poco andante is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Concerto No. 16 in F Major: III. Un poco andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Italian Baroque: The Instrumental Edition Vol. 3" album is number 146 out of 156. On top of that, Netherlands appears to be the country where this track was created. Based on our statistics, Concerto No. 16 in F Major: III. Un poco andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto No. 16 in F Major: III. Un poco andante by Francesco Mancini, Paolo Perrone, Capella Tiberina to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major | Johann Friedrich Fasch, Vienna Pro Musica, Vinzenz Hladky, Elfriede Kunschak | D Major | 3 | 10B | 119 BPM | ||
Trio Sonata in G Major: I. Largo | Johann Gottlieb Graun, Berliner Barock Compagney | F♯ Major | 1 | 2B | 97 BPM | ||
Sonata No.1 in Re Minore Per Flauto E Cembalo (Londra 1724): II. Allegro [Cembalo Luigi Fontana] | Francesco Mancini, Claudio Ferrarini | B♭ Major | 3 | 6B | 167 BPM | ||
Suitte en Trio No. 5 in G Major, Op. 1: V. Gigue | Louis-Antoine Dornel, Musica Barocca | D♭ Major | 1 | 3B | 176 BPM | ||
Samson, HWV 57: Samson, HWV 57, Sinfonia: II. Allegro | George Frideric Handel, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Sinfonia Nо. 1 in re maggiore (Il martirio di San Tenrenziano): V. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | F Major | 5 | 7B | 107 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Symphony in D Minor, J-C 23: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Minor | 1 | 12A | 135 BPM | ||
Handel: Concerto grosso in G Major, Op. 3 No. 3, HWV 314: III. Adagio | George Frideric Handel, Jean-Pierre Rampal, Huguette Fernandez, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | G Major | 1 | 9B | 77 BPM | ||
Zaïde, reine de Grenade, Acte I Scène 5: Rondeau pour les Abencérages | Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset | F Minor | 2 | 4A | 176 BPM |
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