Manuel Ponce, Adam Holzman made "3 Canciones populares mexicanas: La Pajarera" available on June 10, 1998. With 3 Canciones populares mexicanas: La Pajarera being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 47 in the song's album "Ponce: 24 Preludes / Four Pieces / Estrellita". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, 3 Canciones populares mexicanas: La Pajarera is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 3 Canciones populares mexicanas: La Pajarera by Manuel Ponce, Adam Holzman having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballet | Manuel Ponce, Francisco Gil | A Major | 1 | 11B | 122 BPM | ||
Milonga (Cardoso) | Jorge Cardoso, Castellani-Andriaccio Duo | D Minor | 3 | 7A | 124 BPM | ||
La gatica | Antonio Lauro, Adam Holzman | A Minor | 1 | 8A | 104 BPM | ||
Canarios | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 103 BPM | ||
Studio op.100 n.13 - affettuoso | Mauro Giuliani, Lucio Matarazzo | E Minor | 2 | 9A | 65 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Julia Florida: Barcarola | Jason Vieaux | D Major | 0 | 10B | 73 BPM | ||
Cinco Preludios: V. Candombe en mi | Maximo Diego Pujol, Arash Ahmadi | E Minor | 1 | 9A | 68 BPM | ||
Vingt-Sixiéme Ordre - L'Epineuse | François Couperin, David Russell | A Minor | 1 | 8A | 75 BPM | ||
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 3. Nadie se conoce (Nobody knows oneself) | Mario Castelnuovo-Tedesco, Zoran Dukic | C Major | 2 | 8B | 129 BPM |
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