Mario Castelnuovo-Tedesco, Zoran Dukic's 'Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 3. Nadie se conoce (Nobody knows oneself)' came out on March 31, 2009. With Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 3. Nadie se conoce (Nobody knows oneself) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 24 in Castelnuovo-Tedesco, M.: 24 Caprichos De Goya by Mario Castelnuovo-Tedesco, Zoran Dukic. Based on our statistics, Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 3. Nadie se conoce (Nobody knows oneself)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 3. Nadie se conoce (Nobody knows oneself) by Mario Castelnuovo-Tedesco, Zoran Dukic is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Film Grain | Bret Williams | D Minor | 0 | 7A | 93 BPM | ||
Sonata in C Major, Op. 15: I. Allegro | Mauro Giuliani, Jonathan Richter | D Major | 3 | 10B | 96 BPM | ||
36 Capricci, Op. 20: No. 36 | Luigi Legnani, Yuki Saito | E Major | 4 | 12B | 107 BPM | ||
Preludios Epigramaticos: No. 5 | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
Homenaje pour "Le Tombeau de Claude Debussy", G. 56 | Manuel de Falla, Sean Shibe | F Major | 0 | 7B | 69 BPM | ||
Suite No. 1 in D Minor: No. 4, La Bellmont (Arr. Antoine Fougeray and Feuillâtre for Guitar) | Antoine Forqueray, Raphaël Feuillâtre | E Major | 0 | 12B | 76 BPM | ||
36 Caprices, Op. 20: IX. Largo | Luigi Legnani, Pavel Steidl | E Minor | 1 | 9A | 78 BPM | ||
5 Preludios: No. 5, Candombe en Mi | Maximo Diego Pujol, Jason Vieaux | E Minor | 1 | 9A | 123 BPM | ||
Schwanengesang, D. 957: No. 1. Liebesbotschaft (Love's Messenger) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 86 BPM | ||
Sonatina canonica, Op. 196: I. Mosso, grazioso e leggero | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | D Minor | 2 | 7A | 111 BPM |
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