"Messa da Requiem (2004 Digital Remaster): I. Requiem" by Munich Philharmonic Orchestra, Kurt Rydl, Sergiu Celibidache, Peter Dvorsky, Elena Filipova, Chor des Münchner Philharmoniker, Reinhild Runkel was released on November 28, 2005. Messa da Requiem (2004 Digital Remaster): I. Requiem appears to be safe for all ages as it is not explicit. This song is part of Verdi: Messa Da Requiem by Sergiu Celibidache. The song's track number on the album is #2 out of 21 tracks. Messa da Requiem (2004 Digital Remaster): I. Requiem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Messa da Requiem (2004 Digital Remaster): I. Requiem by Munich Philharmonic Orchestra, Kurt Rydl, Sergiu Celibidache, Peter Dvorsky, Elena Filipova, Chor des Münchner Philharmoniker, Reinhild Runkel has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Messa da Requiem (2004 Digital Remaster): I. Requiem being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Die Schöpfung, Hob. XXI: 2, Pt. 1: "Mit Staunen sieht das Wunderwerk" (Gabriel, Chorus) [Live] | Joseph Haydn, Munich Philharmonic Orchestra, Zubin Mehta | E Major | 1 | 12B | 78 BPM | ||
Sarabande et rigaudon, Op. 93: Rigaudon | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 2 | 12B | 121 BPM | ||
Le roi s'amuse: Scene du bouquet | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | F♯ Minor | 0 | 11A | 136 BPM | ||
Vremena goda (the Seasons), Op. 67: Autumn. Petit Adagio [1] | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A Major | 0 | 11B | 81 BPM | ||
The Gypsy Baron: VI. War-Adventure | Johann Strauss II, Carl Davis, Munich Philharmonic Orchestra | G Major | 2 | 9B | 76 BPM | ||
Ein Sommernachtstraum (A Midsummer's Night Dream): VII. Hochzeitsmarsch / Marche nuptiale | Felix Mendelssohn, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 2 | 8B | 82 BPM | ||
Variations on a Theme of Frank Bridge, Op. 10 (1937): Variation 5, Bourrée Classique | Benjamin Britten, Ensemble Allegria | A Minor | 0 | 8A | 83 BPM | ||
Wiener Bonbons, Walzer, Op. 307 | Johann Strauss II, Christian Thielemann, Wiener Philharmoniker | N/A | N/A | N/A | 0 BPM | ||
Symphony No. 4 in D Minor, Op. 120 (1851 Version): II. Romanze. Ziemlich langsam | Robert Schumann, Munich Philharmonic Orchestra, Pablo Heras-Casado | D Major | 1 | 10B | 132 BPM | ||
Ravel: Daphnis et Chloé, M. 57, Part 3: Pantomime | Maurice Ravel, Munich Philharmonic Orchestra, Sergiu Celibidache | F♯ Minor | 0 | 11A | 86 BPM |
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