- BPM
- 96
- Key
- B Minor
- Camelot
- 10A
La encantadora - Ignacio Cervantes, Frank Fernández Information
- Acousticness
- 97%
- Danceability
- 44%
- Energy
- 22%
- Instrumentalness
- 28%
- Liveness
- 20%
- Loudness
- 66%
- Speechiness
- 6%
- Valence
- 34%
- Popularity
- 3%
- Loudness
- -20.562 dB
Summary
Ignacio Cervantes, Frank Fernández's 'La encantadora' came out on March 9, 2011. With La encantadora being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 41 in Cervantes & Saumell: Danzas y Contradanzas (CD1) by Ignacio Cervantes, Frank Fernández. In terms of popularity, La encantadora is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
La encantadora BPM
The tempo marking of La encantadora by Ignacio Cervantes, Frank Fernández is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
La encantadora Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La Lisonjera (The Flatterer), Op. 50 | Cécile Chaminade, Péter Nagy | D♭ Major | 1 | 3B | 132 BPM | |
 | Oblivion (Arr. H. Abel for oboe and chamber ensemble) | Astor Piazzolla, Claremont Duo | C Minor | 0 | 5A | 88 BPM | |
 | Gavota | Manuel Ponce, Gustavo Rivero Weber | A Minor | 4 | 8A | 114 BPM | |
 | 12 Songs, Op. 21: No. 7. How Fair Is This Place (arr. I. Mikhnovsky for piano) | Sergei Rachmaninoff, Isaac Mikhnovsky, Julia Severus | A Major | 0 | 11B | 67 BPM | |
 | Tres Acuarelas Colombianas - Para Recordar | Teresita Gomez | E Minor | 1 | 9A | 74 BPM | |
 | The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | |
 | 6 Roumanian Folk Dances, BB 68, Sz. 56: III. Stamping Dance | Béla Bartók, Hélène Grimaud | B Minor | 0 | 10A | 91 BPM | |
 | Slavonic Dances, Op. 72, B. 145: No. 2 in E Minor, Dumka (Arr. P. Breiner for Piano) | Antonín Dvořák, Peter Breiner | C Major | 0 | 8B | 132 BPM | |
 | Po zarostlém chodníčku - Series I: III. Pojďte s námi! | Leoš Janáček, Gianluigi Daniele | A♭ Minor | 0 | 1A | 72 BPM | |
 | Nocturnes, Op. 9: No. 3 in B Major | Frédéric Chopin, Arthur Rubinstein | F♯ Major | 0 | 2B | 166 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.622117280960083
End: 0.6273512840270996