Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis's 'Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace - Live' came out on January 1, 2000. Since Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 4 in Dvořák: Symphony No. 9 "From the New World" (Live) by Johann Sebastian Bach, Various Artists, Sir Georg Solti, Chicago Symphony Orchestra, Paul Mealor, Tenebrae, Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis. Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace - Live by Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | D♭ Major | 0 | 3B | 82 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | D♭ Major | 0 | 3B | 87 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese (The Pines of the Villa Borghese) | Ottorino Respighi, Minnesota Orchestra, Eiji Oue | F Major | 3 | 7B | 104 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico | Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest | G Major | 3 | 9B | 97 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
The Four Seasons - Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": II. Largo e pianissimo sempre | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | D♭ Minor | 1 | 12A | 176 BPM | ||
Eine Alpensinfonie: VI. Auf dem Gipfel | Richard Strauss, Bernard Haitink, London Symphony Orchestra | C Major | 1 | 8B | 78 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: Prelude - Live | Richard Wagner, Bavarian Radio Symphony Orchestra, Leonard Bernstein | G Major | 3 | 9B | 96 BPM | ||
5 Bagatelles for clarinet and piano, Op.23: 4. Forlana - Allegretto grazioso | Gerald Finzi, Emma Johnson, Malcolm Martineau | F♯ Major | 0 | 2B | 185 BPM |
Section: 0.7549526691436768
End: 0.7597861289978027