"Illalla (In the Evening), Op. 19, No. 7" by Yrjö Kilpinen, Mika Nisula, Jouni Somero was released on May 1, 2014. The duration of Illalla (In the Evening), Op. 19, No. 7 is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Illalla (In the Evening), Op. 19, No. 7's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Storia d'amore". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Finland. Illalla (In the Evening), Op. 19, No. 7 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Illalla (In the Evening), Op. 19, No. 7 by Yrjö Kilpinen, Mika Nisula, Jouni Somero having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haugtussa, Op. 67: VII. Vond dag | Charlotte Hoather, George Todica | B♭ Minor | 1 | 3A | 58 BPM | ||
Do Not Go My Love | Charlotte Hoather, George Todica | D Major | 1 | 10B | 90 BPM | ||
Hurtti-ukko | Karl Collan, Gabriel Suovanen, Ilkka Paananen | C Major | 0 | 8B | 104 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 2, Mohnblumen | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Strauss, R: Mädchenblumen, Op. 22: No. 4, Wasserrose | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Aquel Sombrero de Monte | Fernando Obradors, Pilar Lorengar, Miguel Zanetti | F Major | 0 | 7B | 84 BPM | ||
Dvořák: Moravian Duets, Op. 32, Pt. 2, B. 62: No. 7, Wilde Rose | Antonín Dvořák, Elisabeth Schwarzkopf, Irmgard Seefried, Gerald Moore | B♭ Major | 2 | 6B | 103 BPM | ||
The Laird O'Cockpen | Charlotte Hoather | E Minor | 1 | 9A | 112 BPM | ||
Winterreise, D. 911: No. 3, Gefrorne Tränen | Franz Schubert, Andrè Schuen, Daniel Heide | G Minor | 0 | 6A | 129 BPM |
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