"Chopiniana, Op.46: 3. Mazurka (Op.50, No.3)" by Alexander Glazunov, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy was released on August 18, 2017. With this song being about 5 minutes long, at 4:37, "Chopiniana, Op.46: 3. Mazurka (Op.50, No.3)" by Alexander Glazunov, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 9 in Chopin: Piano Concerto No. 1 / Glazunov: Chopiniana / Franck: Les Dijinns by Vladimir Ashkenazy, Deutsches Symphonie-Orchester Berlin. Chopiniana, Op.46: 3. Mazurka (Op.50, No.3) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopiniana, Op.46: 3. Mazurka (Op.50, No.3) by Alexander Glazunov, Deutsches Symphonie-Orchester Berlin, Vladimir Ashkenazy is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
Saxophone Quartet B Major, Op. 109: IIb. Var. 1 - L'istesso Tempo | Alexander Glazunov, Signum Saxophone Quartet | F Major | 5 | 7B | 141 BPM | ||
Le Corsaire: Act I - "11. Pas de Trois des Odalisques: Variation: 3rd Odalisque" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | D Major | 0 | 10B | 114 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
A Fugal Concerto, Op. 40: I. Moderato | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 2 | 10B | 105 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Francesca da Rimini, Op. 25: Scene II: Moderato | Sergei Rachmaninoff, Mariana Zvetkova, Boiko Zvetanov, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM |
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