"O fröhliche Stunden, o fröhliche Zeit, BuxWV 84" by Dietrich Buxtehude, Ton Koopman, Verena Gropper, Amsterdam Baroque Orchestra & Choir was released on October 10, 2014. O fröhliche Stunden, o fröhliche Zeit, BuxWV 84 is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Opera Omnia XX - Vocal Works 10". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. O fröhliche Stunden, o fröhliche Zeit, BuxWV 84 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O fröhliche Stunden, o fröhliche Zeit, BuxWV 84 by Dietrich Buxtehude, Ton Koopman, Verena Gropper, Amsterdam Baroque Orchestra & Choir having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todesbanden: IVf. Rittornello | Johann Kuhnau, Paul Agnew, Les Arts Florissants | D♭ Minor | 1 | 12A | 126 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: II. Sarabande | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | B Minor | 1 | 10A | 128 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Vater unser im Himmelreich, Variation 10 | Johann Ulrich Steigleder, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: II. Adagio | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Suite in G Minor: Andamento malinconico | Nicola Matteis, Le Consort, Louise Ayrton | F♯ Minor | 1 | 11A | 81 BPM | ||
Dies iræ, S. 31: Tuba mirum spargens sonum | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Minor | 2 | 10A | 127 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Suite in F Major: VI. Gigue | Louis Couperin, Laurence Cummings | E Major | 3 | 12B | 172 BPM |
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