Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti made "Mystery (Rosary) Sonata No. 8 in B-Flat Major, The Crowning with Thorns: II. Guigue - Double I [Presto] - Double II" available on February 17, 2023. The duration of Mystery (Rosary) Sonata No. 8 in B-Flat Major, The Crowning with Thorns: II. Guigue - Double I [Presto] - Double II is about 3 minutes long, at 3:27. Based on our data, "Mystery (Rosary) Sonata No. 8 in B-Flat Major, The Crowning with Thorns: II. Guigue - Double I [Presto] - Double II" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 22 out of 46 in Biber: Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Mystery (Rosary) Sonata No. 8 in B-Flat Major, The Crowning with Thorns: II. Guigue - Double I [Presto] - Double II's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mystery (Rosary) Sonata No. 8 in B-Flat Major, The Crowning with Thorns: II. Guigue - Double I [Presto] - Double II by Heinrich Ignaz Franz von Biber, Amandine Beyer, Gli Incogniti is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Israel in Egypt, HWV 54: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Biber: Sonata a 7 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Major | 1 | 3B | 79 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: IV. Gavotte | Robert de Visée, Jean Rondeau | D♭ Major | 2 | 3B | 75 BPM | ||
Sonatae unarum fidium - Sonata IV in D Major (Introduction - Sarabande - Guige - Allegro - Presto) | Johann Heinrich Schmelzer, Ensemble Castelkorn, Josef Žák | A♭ Major | 2 | 4B | 122 BPM | ||
Sonata sesta for violino solo: VI. Allegro [2] | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 3 | 9A | 93 BPM | ||
Oboe Concerto No. 3 in G Minor, HWV 287: I. Grave | George Frideric Handel, Anthony Camden, City of London Sinfonia, Nicholas Ward | G Minor | 1 | 6A | 101 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: VI. Mascarade, rondeau | Robert de Visée, Jean Rondeau | D♭ Minor | 2 | 12A | 106 BPM | ||
Concerto for Two Violas in G Major, TWV 52:G3: Concerto for Two Violas in G Major, TWV 52:G3: III. Largo | Georg Philipp Telemann, Antoine Tamestit, Sabine Fehlandt, Akademie für Alte Musik Berlin, Bernhard Forck | F♯ Major | 1 | 2B | 202 BPM | ||
Canzona terza a canto solo "detta la Donatina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | C Major | 1 | 8B | 77 BPM | ||
Allegretto in A Major | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 129 BPM |
Section: 0.6097075939178467
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