"Sonata a 5 in G minor, Op.2, No.6: 1. Adagio" by Tomaso Albinoni, I Musici was released on August 17, 1992. With Sonata a 5 in G minor, Op.2, No.6: 1. Adagio being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 37 out of 44 in Albinoni: 12 Concerti Op. 7; 2 Sonatas Op. 2 by Tomaso Albinoni, Heinz Holliger, Maurice Bourgue, I Musici. Sonata a 5 in G minor, Op.2, No.6: 1. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata a 5 in G minor, Op.2, No.6: 1. Adagio by Tomaso Albinoni, I Musici is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D minor, S. Z799: 1. Andante e spiccato | Alessandro Marcello, Håkan Hardenberger, I Musici | D Minor | 2 | 7A | 78 BPM | ||
12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.1: 2. Adagio | Tomaso Albinoni, I Musici, Pina Carmirelli | D♭ Major | 3 | 3B | 76 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Sonata à 3 in D Minor, B. d2: I. Allegro | Giuseppe Tartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: I. Ouverture: Grave. Allegro. Grave | Cologne Chamber Orchestra, Georg Philipp Telemann | G Major | 3 | 9B | 116 BPM | ||
Organ Concerto No. 16 in F Major, HWV 305a: I. Ouverture | George Frideric Handel, George Malcolm, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 2 | 7B | 136 BPM | ||
Cello Concerto in G Major, RV 415: II. Siciliana | Musici di San Marco & Alberto Lizzio | D♭ Major | 0 | 3B | 81 BPM | ||
Concerto grosso in C Minor, Op. 6, No. 8 HWV 326: IV. Adagio | George Frideric Handel, The English Concert, Trevor Pinnock, Simon Standage, Elizabeth Wilcock | B Minor | 2 | 10A | 121 BPM | ||
Benjamin / Cimarosa / Arr Balsom: Oboe Concerto in C Minor: III. Siciliana | Domenico Cimarosa, Alison Balsom, Scottish Ensemble | C Major | 1 | 8B | 101 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Altri canti di Marte e di sua schiera (sv155) -Part I: Altri canti di Marte e di sua schiera | Claudio Monteverdi / Marino (t), Alfred Deller, Deller Consort | G Major | 3 | 9B | 132 BPM |
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