"12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.1: 2. Adagio" by Tomaso Albinoni, I Musici, Pina Carmirelli was released on January 1, 1999. With 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.1: 2. Adagio being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 64 in Albinoni: Complete Concertos Op.5 & Op.7 by Tomaso Albinoni, I Musici, Pina Carmirelli, Berlin Chamber Orchestra, Vittorio Negri. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.1: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.1: 2. Adagio by Tomaso Albinoni, I Musici, Pina Carmirelli is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 3 in F Major: IV. Largo | Alessandro Scarlatti, Capella Istropolitana, Jaroslav Krcek | D Minor | 1 | 7A | 167 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: III. Adagio | Francesco Geminiani, Capella Istropolitana | E Minor | 0 | 9A | 142 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 9: III. Allemanda: Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 3 | 10B | 175 BPM | ||
Oboe Concerto in D: 2. Adagio | Giovanni Battista Sammartini, Heinz Holliger, I Musici | B Minor | 1 | 10A | 169 BPM | ||
Concerto 5 in A Minor, Op. 7: III. Allegro assai | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | B♭ Minor | 2 | 3A | 118 BPM | ||
Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): III. Allegro | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | A Minor | 1 | 8A | 106 BPM | ||
Concerto in F Major, S. 235: II. Andante | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 118 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 2: I. Adagio | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 105 BPM | ||
Sonata [Concerto IX] in A minor for recorder, 2 violins & basso continuo: I. Allegro | Alessandro Scarlatti, Petr Zejfart/Lorenzo Colitto/Maurizio Naddeo/Europa Galante/Fabio Biondi | A♭ Minor | 1 | 1A | 92 BPM | ||
Sonata in D Major for Trumpet and Organ: I. Pomposo | Henry Purcell, Bernhard Schmid, Harald Feller | D Major | 3 | 10B | 83 BPM |
Section: 0.7194311618804932
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