Fauré: Requiem, Op. 48: IV. Pie Jesu - Gabriel Fauré, Robert Chilcott/New Philharmonia Orchestra/Sir David Willcocks, Robert Chilcott, David Willcocks, New Philharmonia Orchestra Information

Acousticness: 98%
Danceability: 28%
Energy: 6%
Instrumentalness: 94%
Liveness: 9%
Loudness: 63%
Speechiness: 5%
Valence: 4%
Popularity: 2%
Loudness: -22.089 dB

Summary

"Fauré: Requiem, Op. 48: IV. Pie Jesu" by Gabriel Fauré, Robert Chilcott/New Philharmonia Orchestra/Sir David Willcocks, Robert Chilcott, David Willcocks, New Philharmonia Orchestra was released on 1993. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 8 in Fauré: Requiem. Pavane by Gabriel Fauré, Sir David Willcocks, Robert Chilcott, John Carol Case, Choir of King's College, Cambridge, New Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fauré: Requiem, Op. 48: IV. Pie Jesu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fauré: Requiem, Op. 48: IV. Pie Jesu BPM

The tempo marking of Fauré: Requiem, Op. 48: IV. Pie Jesu by Gabriel Fauré, Robert Chilcott/New Philharmonia Orchestra/Sir David Willcocks, Robert Chilcott, David Willcocks, New Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Fauré: Requiem, Op. 48: IV. Pie Jesu Key

This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Musica callada I Angelico	Federico Mompou, Arcadi Volodos	A Minor	0	8A	93 BPM
Jeux d'enfants, Op. 22 WD 56: 3. La poupée	Georges Bizet, Katia Labèque, Marielle Labèque	B Major	0	1B	64 BPM
Ave Maria, S. 558 (after Schubert, D. 839)	Franz Liszt, Benjamin Grosvenor	B♭ Major	0	6B	69 BPM
9 Preludes, Op. 1: No. 1 in B Minor. Andante ma non troppo	Karol Szymanowski, Krystian Zimerman	G Minor	0	6A	78 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Lyric Pieces, Book 1, Op. 12: Arietta	Edvard Grieg, Einar Steen-Nøkleberg	E♭ Major	0	5B	111 BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
The Arts and the Hours	Jean-Philippe Rameau, Víkingur Ólafsson	D♭ Major	0	3B	136 BPM
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro"	Franz Liszt, Daniil Trifonov	D♭ Major	1	3B	76 BPM
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major	Johannes Brahms, Idil Biret	A♭ Minor	3	1A	111 BPM

ISRC: GBAYD9300142
Label: L-M Records/RCA Records

Section: 0.7829968929290771

End: 0.7867946624755859