City Of Birmingham Symphony Orchestra, Sir Mark Elder's 'Hamlet Op. 32 - 1932 Production - Act II - Rosencrantz and Guildenstern's dialog' came out on June 28, 2005. With Hamlet Op. 32 - 1932 Production - Act II - Rosencrantz and Guildenstern's dialog being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 44 in the song's album "Shostakovich: Hamlet & King Lear". In this album, this song's track order is #8. The popularity of Hamlet Op. 32 - 1932 Production - Act II - Rosencrantz and Guildenstern's dialog is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Hamlet Op. 32 - 1932 Production - Act II - Rosencrantz and Guildenstern's dialog by City Of Birmingham Symphony Orchestra, Sir Mark Elder having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird: Scene 1: The Firebird's Dance | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B♭ Minor | 0 | 3A | 173 BPM | ||
Fantasia on a Theme by Thomas Tallis: I. Largo sostenuto | Ralph Vaughan Williams, City Of Birmingham Symphony Orchestra, Mirga Gražinytė-Tyla | G Minor | 0 | 6A | 88 BPM | ||
Sibelius : Karelia Suite Op.11 : III Alla marcia | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 2 | 11B | 173 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Karelia, JS 115: Tableau 4 - Karl Knutsson in Viipuri Castle | Jean Sibelius, Raimo Laukka, Heikki Laitinen, Taito Hoffren, Pertti Kuusi, Lahti Symphony Orchestra, Osmo Vänskä | A Minor | 2 | 8A | 88 BPM | ||
Pelleas et Melisande Suite, Op. 80: III. Sicilienne | Gabriel Fauré, RTE Sinfonietta, John Georgiadis | E♭ Major | 0 | 5B | 116 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Serenade in B flat, K.361 "Gran partita": 3. Adagio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields Wind Ensemble, Sir Neville Marriner | E♭ Major | 4 | 5B | 89 BPM | ||
Mahler: Symphony No. 8 in E-Flat Major, "Symphony of a Thousand", Part 1: "Gloria Patri Domino" | Gustav Mahler, City of Birmingham Symphony Chorus, Simon Halsey, London Symphony Chorus, Joseph Cullen, City of Birmingham Symphony Youth Chorus, Jean Ashworth Bartle, Sir Simon Rattle, City Of Birmingham Symphony Orchestra, Shirley Court, Jean Ashworth, Toronto Children's Chorus | E♭ Major | 4 | 5B | 90 BPM | ||
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | D Major | 0 | 10B | 85 BPM |
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