Symphony No. 4, Op. 112 (revised 1947 version): III. Moderato, quasi allegretto
Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop
Prokofiev: Symphony No. 4 (revised 1947 version) & L'enfant prodigue (The Prodigal Son)
6:35 October 1, 2013
BPM
115
Key
C Major
Camelot
8B

Embed

Share Link

Symphony No. 4, Op. 112 (revised 1947 version): III. Moderato, quasi allegretto - Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop Information

Acousticness
91%
Danceability
17%
Energy
1%
Instrumentalness
74%
Liveness
9%
Loudness
48%
Speechiness
4%
Valence
3%
Popularity
Loudness
-31.375 dB

Summary

"Symphony No. 4, Op. 112 (revised 1947 version): III. Moderato, quasi allegretto" by Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop was released on October 1, 2013. Since Symphony No. 4, Op. 112 (revised 1947 version): III. Moderato, quasi allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Prokofiev: Symphony No. 4 (revised 1947 version) & L'enfant prodigue (The Prodigal Son)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Symphony No. 4, Op. 112 (revised 1947 version): III. Moderato, quasi allegretto is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony No. 4, Op. 112 (revised 1947 version): III. Moderato, quasi allegretto BPM

With Symphony No. 4, Op. 112 (revised 1947 version): III. Moderato, quasi allegretto by Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Symphony No. 4, Op. 112 (revised 1947 version): III. Moderato, quasi allegretto Key

This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Danse macabre in G Minor, Op. 40 by Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith ClarkDanse macabre in G Minor, Op. 40Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith ClarkG Minor26A116 BPM
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King by Edvard Grieg, Esa-Pekka SalonenPeer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain KingEdvard Grieg, Esa-Pekka SalonenB Minor210A104 BPM
Carmen Suite No. 1: 3. Intermezzo by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 3. IntermezzoGeorges Bizet, Orchestre de Paris, Semyon BychkovB♭ Major06B74 BPM
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante by Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigMendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. AndanteFelix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester LeipzigC Major18B96 BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits by Christoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraOrpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed SpiritsChristoph Willibald Gluck, Eugene Ormandy, Philadelphia OrchestraD Minor17A67 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht by Bedřich Smetana, Jitka ČechováCharakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sichtBedřich Smetana, Jitka ČechováA♭ Minor21A76 BPM
Salut d'amour, Op. 12 (version for orchestra) by Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperSalut d'amour, Op. 12 (version for orchestra)Edward Elgar, Slovak Radio Symphony Orchestra, Adrian LeaperB♭ Major16B82 BPM
Symphony No. 40 in G Minor, K. 550: I. Allegro molto by Wolfgang Amadeus Mozart, Capella Istropolitana, Barry WordsworthSymphony No. 40 in G Minor, K. 550: I. Allegro moltoWolfgang Amadeus Mozart, Capella Istropolitana, Barry WordsworthG Minor26A109 BPM
String Quartet No. 4 in C Minor, Op. 18 No. 4: 1. Allegro ma non tanto by Ludwig van Beethoven, Emerson String QuartetString Quartet No. 4 in C Minor, Op. 18 No. 4: 1. Allegro ma non tantoLudwig van Beethoven, Emerson String QuartetC Minor15A153 BPM
ISRC
HKI191321703
Label
L-M Records/RCA Records

Section: 0.792144775390625

End: 0.7967193126678467