Astor Piazzolla, Munich Piano Trio made "Libertango (Arr. I. Nakayama for piano trio)" available on January 1, 2008. The duration of Libertango (Arr. I. Nakayama for piano trio) is about 3 minutes long, at 3:23. Based on our data, "Libertango (Arr. I. Nakayama for piano trio)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Piazzolla, A.: 4 Estaciones Portenas (Las) / Oblivion / Chiquilín De Bachín / Yo Soy Maria / Escualo / Libertango". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. Based on our statistics, Libertango (Arr. I. Nakayama for piano trio)'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Libertango (Arr. I. Nakayama for piano trio) by Astor Piazzolla, Munich Piano Trio having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Solo tu | Elliot Goldenthal | C Minor | 0 | 5A | 126 BPM | ||
Tanguera | Mariano Mores | F Minor | 3 | 4A | 124 BPM | ||
La fortezza dei grandi perche | Enrique Ugarte | D Minor | 0 | 7A | 73 BPM | ||
Galiano: Opale Concerto: II. Moderato malinconico | Richard Galliano, Gwen Cresens, Diego Matheuz, Brussels Philharmonic | D Minor | 1 | 7A | 106 BPM | ||
El Amor Brujo: Danza ritual del fuego | Manuel de Falla, Kazuki Yamada, Orchestre de la Suisse Romande | E Minor | 1 | 9A | 135 BPM | ||
3 Nocturnes, Op. 9: No. 1 in B-Flat Minor | Frédéric Chopin, Milosz Magin | D♭ Major | 1 | 3B | 70 BPM | ||
Okuribito - Memory | Orie Hirayama | B♭ Minor | 3 | 3A | 136 BPM | ||
Pequeña Czarda (Arr. Harle) | Pedro Iturralde, Jess Gillam, Tippett Quartet, Andee Birkett, Zeynep Özsuca | C Minor | 4 | 5A | 92 BPM | ||
Recuerdos de la Alhambra | Francisco Tárrega, Andrea González Caballero | A Major | 0 | 11B | 137 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | C Minor | 2 | 5A | 80 BPM |
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