"Der Fischer und das Milchmädchen: XIX. Pas seul" by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi was released on October 28, 2022. The duration of Der Fischer und das Milchmädchen: XIX. Pas seul is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Der Fischer und das Milchmädchen: XIX. Pas seul's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi's "Meyerbeer: Overtures & Stage Music" album is number 22 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Der Fischer und das Milchmädchen: XIX. Pas seul is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Fischer und das Milchmädchen: XIX. Pas seul by Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Arioso with 9 Variations in C Major, H. 259: Var. 5 | Carl Philipp Emanuel Bach, Marc-André Hamelin | F♯ Minor | 0 | 11A | 69 BPM | ||
Mazurek, Op. 49 | Antonín Dvořák, Leonardo Pierdomenico, Czech Philharmonic Chamber Orchestra, Markéta Čepická, Vahan Mardirossian | B Major | 1 | 1B | 185 BPM | ||
Quintet in F Major for Bassett Horn and Strings, Op.9 / II.Adagio ma non troppo | Johann Georg Heinrich Backofen, Eybler Quartet, Jane Booth, Max Mandel | B♭ Major | 0 | 6B | 88 BPM | ||
Le Prophète: Act III - Galop | Giacomo Meyerbeer, Henry Lewis | E Major | 1 | 12B | 147 BPM | ||
Symphonie Concertante in A Major, Op. 9 No. 2: II. Rondeau | Joseph Bologne, Chevalier de Saint-Georges, Yury Revich, Libor Ježek, Czech Philharmonic Chamber Orchestra, Michael Halasz | B♭ Major | 0 | 6B | 126 BPM | ||
オペラ《セヴィリアの理髪師》序曲 | Gioachino Rossini, ガエターノ・デローグ, Czech Philharmonic Chamber Orchestra | E♭ Major | 2 | 5B | 57 BPM | ||
Symphony No. 2 in D Major: II. Largo e pomposo | John Abraham Fisher, Czech Philharmonic Chamber Orchestra, Petra Žďárská, Michael Halasz | C Major | 1 | 8B | 102 BPM | ||
6 Hungarian Dances: No. 1. Andante | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | C Major | 0 | 8B | 105 BPM | ||
ス・ワンダフル | アンサンブル・ジャック・アンド・ジルズ | C Major | 3 | 8B | 135 BPM | ||
String Quartet in D Major, SC 50 (Reconstr. by Wolfgang Ludewig): IV. Allegro vivo | Giacomo Puccini, Paolo Morena, Fabio Ravasi, Cynthia Liao, Gabriele Zanetti | A Major | 0 | 11B | 69 BPM |
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