Ambrosian Singers, Charles Gerhardt, National Philharmonic Orchestra's 'Requiem: dies irae' came out on December 26, 2019. With Requiem: dies irae being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 15 in Forever Mozart, Vol. 1 by Various Artists. The popularity of Requiem: dies irae is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem: dies irae by Ambrosian Singers, Charles Gerhardt, National Philharmonic Orchestra is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: The Dream of Gerontius, Op. 38, Pt. 1: Rescue Him, O Lord - Noe from the Waters (Gerontius, Chorus) | Edward Elgar, Sir John Barbirolli, Richard Lewis, Ambrosian Singers, Halle Choir, Sheffield Philharmonic Chorus, Hallé | C Major | 2 | 8B | 141 BPM | ||
Voi Che Sapete - from 'Le Nozze Di Figaro' | Wolfgang Amadeus Mozart, Amira Willighagen, William Hayward | B♭ Major | 2 | 6B | 122 BPM | ||
Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi che sapete" (Cherubino) | Wolfgang Amadeus Mozart, Joyce DiDonato, Kazushi Ono, Orchestre De L'Opéra National De Lyon | E Major | 2 | 12B | 91 BPM | ||
Elijah, Op. 70, MWV A25 / Part 1: "Help, Lord! Wilt Thou quite destroy us?" | Felix Mendelssohn, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | F Major | 1 | 7B | 75 BPM | ||
Was I Wazir? | Dom De Luise, Ambrosian Singers, Concert Chorale of New York | D♭ Major | 2 | 3B | 63 BPM | ||
Die Zauberflöte, K.620 / Act 2: "Ach, ich fühl's" | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 69 BPM | ||
Carmina Burana / II. In Taberna: "In taberna quando sumus" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | F Major | 4 | 7B | 134 BPM | ||
L'elisir d'amore / Act II: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | B♭ Minor | 1 | 3A | 87 BPM | ||
"Lascia ch'io pianga" (From Rinaldo), HWV 7 | George Frideric Handel, Katherine Jenkins, The Arcadian Ensemble, James Morgan | D Major | 1 | 10B | 66 BPM | ||
Messiah, HWV 56 (1989 - Remaster), Part 1: Comfort ye my people (tenor accompagnato: Larghetto e piano) | George Frideric Handel, Elizabeth Harwood, Dame Janet Baker, Paul Esswood, Robert Tear, Raimund Herincx, Ambrosian Singers, Sir Charles Mackerras, English Chamber Orchestra | A Minor | 4 | 8A | 0 BPM |
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