"Missa O lumen ecclesie: Benedictus" by Jacob Obrecht, Ars Nova Secunda, Janos Bali was released on January 1, 2015. With Missa O lumen ecclesie: Benedictus being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Obrecht: Missa O Lumen Ecclesiae - Ave Regina Caelorum - Alma Redemptoris Mater - Missa Malheur Me Bat". In this album, this song's track order is #12. Missa O lumen ecclesie: Benedictus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa O lumen ecclesie: Benedictus by Jacob Obrecht, Ars Nova Secunda, Janos Bali having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
Fantasia I | Luis de Milán, Shirley Rumsey | G Minor | 0 | 6A | 112 BPM | ||
Cherubic Hymn No. 4 | SOFIA ORTHODOX CHOIR | B♭ Major | 1 | 6B | 79 BPM | ||
Gibbons: The Silver Swan | The Tallis Scholars, Peter Phillips | E Major | 0 | 12B | 71 BPM | ||
Glory be to Thee | USSR Ministry of Culture Chamber Choir, Valery Polyansky | E♭ Minor | 0 | 2A | 79 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: Our Father | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | E Major | 0 | 12B | 77 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Das ist je gewißlich wahr, SWV 277 | Heinrich Schütz, Vox Luminis, Lionel Meunier | A Minor | 1 | 8A | 106 BPM | ||
Missa Nunca Fue Pena Major: V. Agnus Dei | Francisco de Peñalosa, Concentus Musicus Minnesota, Arthur Maud | A♭ Minor | 2 | 1A | 74 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XI. It Is Meet | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM |
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