"Correspondances (Baudelaire): Song 1 (La mort)" by Jonathan Harvey, Meriel Dickinson, Peter Dickinson had its release date on October 15, 2012. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Correspondances (Baudelaire): Song 1 (La mort)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 34 in British Song by Meriel Dickinson, Peter Dickinson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Correspondances (Baudelaire): Song 1 (La mort) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Correspondances (Baudelaire): Song 1 (La mort) by Jonathan Harvey, Meriel Dickinson, Peter Dickinson is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prometheus: III. According to the Third... | Geoffrey Gordon, Philharmonia Orchestra, Martyn Brabbins, Laurent Ben Slimane | A Major | 1 | 11B | 81 BPM | ||
Piano Hush | Sonic Piano Music | F Minor | 0 | 4A | 71 BPM | ||
Concerto grosso no.1 (1976-77): 1. Preludio: Andante | Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich Schiff | C Minor | 0 | 5A | 93 BPM | ||
Příhody Lišky Bystroušky, JW I/9, Act I (Arr. for Voices, Choir & Chamber Orchestra by Fabrice Bollon): Andante | Leoš Janáček, The Lily's Project, Fabrice Bollon | D♭ Minor | 1 | 12A | 91 BPM | ||
Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
Lost Wax - Lawrence Casserley Remix | Lawrence Casserley, Jonathan Harvey, Markus Stockhausen | B♭ Major | 5 | 6B | 85 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: J'ai pas envie de faire ma page (L'enfant) | Maurice Ravel, Helene Hebrard, Orchestre National De Lyon, Leonard Slatkin | A♭ Major | 0 | 4B | 97 BPM | ||
Cage: Mysterious Adventure | John Cage, Bertrand Chamayou | F Major | 2 | 7B | 111 BPM | ||
Symphony No. 9 in D Major: II. Ländler: No. 7, Tempo I. Subito | Gustav Mahler, Mahler Academy Orchestra, Philipp von Steinaecker | D♭ Major | 0 | 3B | 86 BPM |