"Preludes, W419: III. Andante" by Heitor Villa-Lobos, Mickael Viegas was released on February 19, 2016. The duration of Preludes, W419: III. Andante is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Preludes, W419: III. Andante's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "The Complete Guitar Works of Heitor Villa-Lobos". In this album, this song's track order is #3. Preludes, W419: III. Andante is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Preludes, W419: III. Andante by Heitor Villa-Lobos, Mickael Viegas having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Estaciones Portenas (pour guitare): N°.1 Primavera Porteña | Göran Söllscher, Astor Piazzolla | E Minor | 0 | 9A | 129 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Suite populaire Brésilienne, W020: I. Mazurka-chôro | Heitor Villa-Lobos, Mickael Viegas | A Minor | 1 | 8A | 91 BPM | ||
Suite populaire Brésilienne, W020: II. Schottish-chôro | Heitor Villa-Lobos, Mickael Viegas | A Major | 1 | 11B | 107 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | ||
Piano Sonata No.16 in C, K.545 "Sonata facile": 2. Andante | Wolfgang Amadeus Mozart, András Schiff | G Major | 0 | 9B | 67 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Slavonic Dance No. 2 in E minor, Op. 72 | Boston Symphony Orchestra, Yo-Yo Ma, Boston Symphony Orchestra, Seiji Ozawa, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | E Minor | 1 | 9A | 70 BPM | ||
Orfeo ed Euridice, Wq. 30: Melodie (Arr. Sgambati) | Christoph Willibald Gluck, Nelson Freire | D Minor | 0 | 7A | 82 BPM |
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