"Harmonia artificiosa-ariosa, Partia No. 6 in D Major, C. 67: II. Aria con variato" by Heinrich Ignaz Franz von Biber, London Baroque was released on March 1, 2008. Since Harmonia artificiosa-ariosa, Partia No. 6 in D Major, C. 67: II. Aria con variato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 28 out of 29 in Chamber Music: London Baroque - Rosenmuller, J. / Hacquart, C. / Buxtehude, D. / Biber, H. I. F. (The Trio Sonata in 17Th Century Germany) by London Baroque. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. The popularity of Harmonia artificiosa-ariosa, Partia No. 6 in D Major, C. 67: II. Aria con variato is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Harmonia artificiosa-ariosa, Partia No. 6 in D Major, C. 67: II. Aria con variato by Heinrich Ignaz Franz von Biber, London Baroque is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hortus Musicus "Sonata Prima" in A Minor: Gigue | Johann Adam Reincken, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 2 | 8A | 116 BPM | ||
Jesu, meines Lebens Leben in D Minor, BuxWV 62: II. Ciaconna | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 118 BPM | ||
Magnificat en sol mineur, RV 610: I. Magnificat | Antonio Vivaldi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 3 | 3B | 114 BPM | ||
Sonatae unarum didium, seu a violino solo: Sonata No. 4 | Johann Heinrich Schmelzer, Georg Kallweit, Björn Colell | A♭ Major | 1 | 4B | 104 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Septième Ordre: I. La Ménetou. Rondeau, gracieusement, sans lenteur | François Couperin, Jean Rondeau | D♭ Major | 1 | 3B | 114 BPM | ||
Pars III In A Minor: II. (unspecified ) (Biber) | Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin | A♭ Minor | 1 | 1A | 115 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Little Consort in Two Parts for Severall Friends in C minor-major: I. Fantazie | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM |
Section: 0.5446746349334717
End: 0.5480356216430664