"Pars III In A Minor: II. (unspecified ) (Biber)" by Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin was released on March 21, 2006. With Pars III In A Minor: II. (unspecified ) (Biber) being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Masques, Olivier Fortin's "Mensa Sonora - Biber And His Contemporaries" album is number 15 out of 29. In terms of popularity, Pars III In A Minor: II. (unspecified ) (Biber) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pars III In A Minor: II. (unspecified ) (Biber) by Heinrich Ignaz Franz von Biber, Masques, Olivier Fortin to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Sonata II In G Minor: VIII. Borea (Alla Breve) (Muffat) | Georg Muffat, Masques, Olivier Fortin | F♯ Minor | 3 | 11A | 108 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 108 BPM | ||
Concerto No 5 in G minor - Presto - Adagio | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | E Major | 2 | 12B | 97 BPM | ||
Pieces de clavecin en concerts: Concert No. 4 in B-Flat Major: I. La pantomime (Loure un peu vive) | Jean-Philippe Rameau, London Baroque | A Major | 2 | 11B | 70 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Trio Sonata in D Major, Op. 8 No. 8: II. Vivace | Pietro Locatelli, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Sonate concertate in stil moderno, libro 2: Sonata No. 2. Alegra - Adagio - Alegro - Adagio | Dario Castello, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Minor | 1 | 12A | 87 BPM | ||
Sonata VI in F Major, HWV 401, Op. 5 No. 6: I. Largo - Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | E Major | 1 | 12B | 86 BPM | ||
Pièces de viole du Troisième Livre, suite I en la mineur: Grand Ballet [13] (1711) | Marin Marais, Jordi Savall, Hopkinson Smith, Ton Koopman | A♭ Minor | 2 | 1A | 150 BPM |
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