Jeff String made "A Classical Evolution" available on December 10, 2014. A Classical Evolution appears to be safe for all ages as it is not explicit. Because this song is the only song in A Classical Evolution and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, A Classical Evolution is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of A Classical Evolution by Jeff String is Andante (at a walking pace), since this song has a tempo of 103 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for Strings in G Major, TWV 51:G9: III. Andante | Warmia Symphonic Orchestra, Silvano Frontalini, Giovanni Antonioni | E Minor | 2 | 9A | 54 BPM | ||
Hungarian Rhapsody No. 2, S. 244 after Vladimir Horowitz | Franz Liszt, Arcadi Volodos | D♭ Major | 2 | 3B | 79 BPM | ||
Symphony No. 2 in A Major: II. Andante cantabile | Vasily Kalinnikov, Ukraine National Symphony Orchestra, Theodore Kuchar | F♯ Minor | 1 | 11A | 69 BPM | ||
Piano Sonata No. 8 In C Minor Op. 13 - Pathétique - II. Adagio cantabile | The Jane Austen Era | A♭ Major | 0 | 4B | 108 BPM | ||
Peer Gynt, Op. 23 - Incidental Music: No. 8 In the Hall of the Mountain King | Edvard Grieg, Tor Stokke, Gothenburg Symphony Orchestra, Neeme Järvi, Gösta Ohlin's Vocal Ensemble, Pro Musica Chamber Choir, Gösta Ohlin | E Minor | 2 | 9A | 72 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Leone Buyse, Boston Pops Orchestra, John Williams | G Major | 5 | 9B | 74 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM | ||
Pelléas et Mélisande, Op.80: 4. Sicilienne | Adelaide Symphony Orchestra, David Stanhope | G Minor | 1 | 6A | 76 BPM | ||
Fantaisie-impromptu in C-Sharp Minor, Op. 66 | Frédéric Chopin, Murray Perahia | D♭ Major | 0 | 3B | 80 BPM | ||
Peer Gynt, Op. 23: Prelude to Act 4 (Morning mood) | Edvard Grieg, San Francisco Symphony, Edo de Waart | E Major | 0 | 12B | 69 BPM |
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