"Giselle / Act 2: No. 15 Grand pas de deux: a) Andante" by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan was released on January 1, 1962. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 19 in Adam: Giselle by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan. Based on our statistics, Giselle / Act 2: No. 15 Grand pas de deux: a) Andante's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Giselle / Act 2: No. 15 Grand pas de deux: a) Andante by Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La bayadère, Act II: "Variazione Solor" | Silvano Belfiore | D Major | 4 | 10B | 77 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
Die Puppenfee (The Fairy Doll): No. 7 Baby: Allegretto | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 97 BPM | ||
Romeo and Juliet, Op. 64: No. 19 Balcony Scene | Sergei Prokofiev, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | D♭ Major | 0 | 3B | 88 BPM | ||
Act I: A Square In Barcelona (Minkus) | Mariinsky Orchestra | G Major | 3 | 9B | 141 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Violin Concerto, Op. 48: I. Allegro molto e con brio | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | C Major | 2 | 8B | 145 BPM | ||
ワルツ 作品39の15 変イ長調(ブラームス) | イザベル・モウラオ(ピアノ) | G Major | 1 | 9B | 85 BPM |
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