"Prince and the Mermaid Suite: II. Waltz" by William Grant Still, Fritz Gearhart, Kathryn Lucktenberg, Leslie Straka, Steve Pologe was released on November 1, 2013. With Prince and the Mermaid Suite: II. Waltz being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "Oregon Festival of American Music Presents William Grant Still". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Prince and the Mermaid Suite: II. Waltz is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prince and the Mermaid Suite: II. Waltz by William Grant Still, Fritz Gearhart, Kathryn Lucktenberg, Leslie Straka, Steve Pologe having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
2 Mélodies, Op. 3: No. 1 in F Major, Moderato assai | Anton Rubinstein, Ludmila Peterková, Irina Kondratenko | F Major | 0 | 7B | 70 BPM | ||
Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | ||
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | C Major | 3 | 8B | 112 BPM | ||
3 Mélodies, Op. 4: No. 2, Allegretto | Fanny Mendelssohn, David Kadouch | A♭ Major | 1 | 4B | 132 BPM | ||
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Improvisation No. 7 in C Major: Modere sans lenteur | Francis Poulenc, Olivier Cazal | F Major | 1 | 7B | 83 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
Winnsboro Cotton Mill Blues (1979) | Louis Moreau Gottschalk, Kerry Mills, Greg McCallum, Kenneth Frazelle, Julie Harris, William Grant Still, Frederic Rzewski | D♭ Major | 3 | 3B | 96 BPM |
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