Elijah, Op.70: No. 34 - Behold! God the Lord passed by! (chorus) - Felix Mendelssohn, Gwyneth Jones, Rafael Frühbeck de Burgos, New Philharmonia Orchestra Information

Acousticness: 96%
Danceability: 22%
Energy: 15%
Instrumentalness: 43%
Liveness: 7%
Loudness: 70%
Speechiness: 4%
Valence: 4%
Popularity: 5%
Loudness: -18.237 dB

Summary

"Elijah, Op.70: No. 34 - Behold! God the Lord passed by! (chorus)" by Felix Mendelssohn, Gwyneth Jones, Rafael Frühbeck de Burgos, New Philharmonia Orchestra was released on 1968. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 14 out of 46 in Elijah - Mendelssohn by Felix Mendelssohn, Rafael Frühbeck de Burgos/Dame Gwyneth Jones/Simon Woolf/Dame Janet Baker/Nicolai Gedda/Dietrich Fischer-Dieskau/Wandsworth School Boys' Choir/New Philharmonia Chorus/New Philharmonia Orchestra, Rafael Frühbeck de Burgos, New Philharmonia Orchestra. In terms of popularity, Elijah, Op.70: No. 34 - Behold! God the Lord passed by! (chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elijah, Op.70: No. 34 - Behold! God the Lord passed by! (chorus) BPM

The tempo marking of Elijah, Op.70: No. 34 - Behold! God the Lord passed by! (chorus) by Felix Mendelssohn, Gwyneth Jones, Rafael Frühbeck de Burgos, New Philharmonia Orchestra is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Elijah, Op.70: No. 34 - Behold! God the Lord passed by! (chorus) Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso "Frühlingslied" (Arr. Ottensamer for Clarinet and Strings)	Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks	A Major	1	11B	99 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento	Ottorino Respighi, Konstantin Scherbakov	A♭ Minor	0	1A	70 BPM
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2	Franz Schubert, Evgeny Kissin	E♭ Major	0	5B	71 BPM
Suite in D Minor, HWV 447: Allemande	George Frideric Handel, David Greilsammer	D Minor	1	7A	74 BPM
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino	Cécile Chaminade, Eric Parkin	B Minor	0	10A	87 BPM
Serenade in C Major, Op. 48: IV. Finale (Tema Russo)	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	G Major	3	9B	146 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Valse Fantaisie, Op.49	Raoul Koczalski, Ingolf Wunder	B Minor	0	10A	66 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7976276874542236

End: 0.8023905754089355