Claudio Monteverdi, Marie-Blanche de Polignac, Irene Kedroff, Lucia Rauh, Nathalie Kedroff, Paul Derenne, Hugues Cuénod, Doda Conrad, Studio ensemble, Nadia Boulanger's ' "Ardo e scoprir, ahi lasso, io non ardisco" was released on its scheduled release date, January 1, 2006. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 24 out of 29 in Charpentier, M.-A.: Medee / Monteverdi, C.: Madrigals (Boulanger) (1937, 1953) by Paul Derenne. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Ardo e scoprir, ahi lasso, io non ardisco is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Ardo e scoprir, ahi lasso, io non ardisco by Claudio Monteverdi, Marie-Blanche de Polignac, Irene Kedroff, Lucia Rauh, Nathalie Kedroff, Paul Derenne, Hugues Cuénod, Doda Conrad, Studio ensemble, Nadia Boulanger is Presto (very, very fast), since this song has a tempo of 181 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave verum corpus | William Byrd, Stile Antico | A Minor | 1 | 8A | 77 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | F♯ Minor | 1 | 11A | 114 BPM | ||
Cantata No.30 "Freue dich, erlöste Schar", BWV 30: 5. Aria: Kommt, ihr angefocht'nen Sünder | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | F Minor | 1 | 4A | 72 BPM | ||
Gott hilf mir, denn das Wasser geht mir bis an die Seele, BuxWV 34: III. Fürchte dich Nicht! | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | E♭ Major | 2 | 5B | 123 BPM | ||
In furore iustissimae irae, RV 626: IV. Allegro | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B Minor | 2 | 10A | 125 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Vespro della Beata Vergine, SV 206: II. Dixit Dominus a 6 - Live | Claudio Monteverdi, Ann Monoyios, Marinella Pennicchi, Alastair Miles, Mark Tucker, Nigel Robson, Bryn Terfel, English Baroque Soloists, His Majestys Sagbutts & Cornetts, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 2 | 2B | 175 BPM |