Francis Poulenc, Aleck Karis's 'Improvisation No. 13 in A Minor. Allegretto commodo, FP 170 No. 1' came out on December 8, 2015. The duration of Improvisation No. 13 in A Minor. Allegretto commodo, FP 170 No. 1 is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Improvisation No. 13 in A Minor. Allegretto commodo, FP 170 No. 1's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Poulenc: Music for Piano". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United States. Based on our statistics, Improvisation No. 13 in A Minor. Allegretto commodo, FP 170 No. 1's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Improvisation No. 13 in A Minor. Allegretto commodo, FP 170 No. 1 by Francis Poulenc, Aleck Karis having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Descriptions automatiques: III. Sur un casque | Erik Satie, Francis Poulenc | G Major | 3 | 9B | 145 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
24 Preludes, Op. 11: No. 4 in E Minor | Alexander Scriabin, Evgeny Zarafiants | F Major | 1 | 7B | 99 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Poulenc: Mélancolie, FP 105 | Francis Poulenc, Alexandre Tharaud | D Major | 1 | 10B | 71 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 4 Bjorken (The Birch) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 64 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Ave verum corpus, K. 618 (Transcr. Liszt for Solo Piano) | Wolfgang Amadeus Mozart, Víkingur Ólafsson | B Major | 0 | 1B | 115 BPM |
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