Jussi Björling, Robert Merrill, Emil Markow, RCA Victor Orchestra's 'Io l´ho perduta - Dio, che nell´ alma infondere (Don Carlo)' came out on August 30, 2006. Io l´ho perduta - Dio, che nell´ alma infondere (Don Carlo) appears to be safe for all ages as it is not explicit. The track order of this song in Jussi Björling's "Lebendige Vergangenheit - Jussi Björling" album is number 8 out of 18. Io l´ho perduta - Dio, che nell´ alma infondere (Don Carlo) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Io l´ho perduta - Dio, che nell´ alma infondere (Don Carlo) by Jussi Björling, Robert Merrill, Emil Markow, RCA Victor Orchestra to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 84 BPM | ||
Die Fledermaus / Act 2: "Mein Herr Marquis" | Johann Strauss II, Lucia Popp, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 133 BPM | ||
Nabucco: Slave Chorus | London Festival Orchestra | F♯ Major | 2 | 2B | 102 BPM | ||
La figlia del reggimento (Atto 1) (1997 Digital Remaster): Convien partir | Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire, Nicola Rescigno | D♭ Major | 1 | 3B | 87 BPM | ||
La Gioconda, Act IV: Suicido! … | Amilcare Ponchielli, Maria Callas, RAI Symphony Orchestra, Turin, Antonino Votto | D Major | 1 | 10B | 86 BPM | ||
6 Songs, Op. 48: No. 6, A Dream | Edvard Grieg, Jussi Björling | C Major | 4 | 8B | 66 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Bizet: Carmen, Act 1: "L'amour est un oiseau rebelle" (Carmen, Chorus) | Georges Bizet, Sir Thomas Beecham, French National Radio Orchestra | G Major | 1 | 9B | 107 BPM | ||
Kung Heimer och Aslög | August Söderman, Jussi Björling, Royal Orchestra, Nils Grevillius | E Major | 3 | 12B | 86 BPM | ||
Wesendonck Lieder: Träume | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | A♭ Major | 1 | 4B | 72 BPM |
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