"Appalachian Spring - 1945 Suite: 8. Moderato: Coda" by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta was released on January 1, 1996. The duration of Appalachian Spring - 1945 Suite: 8. Moderato: Coda is about 3 minutes long, at 3:06. Based on our data, "Appalachian Spring - 1945 Suite: 8. Moderato: Coda" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Sir Neville Marriner, Traditional. Appalachian Spring - 1945 Suite: 8. Moderato: Coda is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Appalachian Spring - 1945 Suite: 8. Moderato: Coda by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wo die Zitronen blüh'n, Walzer, Op. 364 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | G Major | 1 | 9B | 95 BPM | ||
Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
La mer, L. 109: II. Jeux de vagues | Claude Debussy, Orchestre National De Lyon, Jun Markl | E Major | 1 | 12B | 84 BPM | ||
A Village Romeo and Juliet: The Walk to the Paradise Garden | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 144 BPM | ||
3 Latin American Sketches: Paisaje Mexicano | Aaron Copland, Nashville Chamber Orchestra, Paul Gambill | F♯ Major | 0 | 2B | 70 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte I - Une forêt | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D Minor | 0 | 7A | 141 BPM | ||
Symphony No. 3 - 'Pastoral Symphony': I. Molto moderato | Ralph Vaughan Williams, Hallé, Sir Mark Elder | A Minor | 0 | 8A | 81 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Concerto For Violin And Strings In E, Op.8, No.1, R.269 "La Primavera": 2. Largo - Live | Antonio Vivaldi, Isaac Stern, Israel Philharmonic Orchestra, Zubin Mehta | D♭ Minor | 0 | 12A | 75 BPM | ||
Come away, come away death, Op.18, No.1 - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Minor | 1 | 9A | 109 BPM |
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