"Bliss, Act II, "The Heart-Throb Hotel": Back at the Hotel II, "Yes! Come in!"" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Lorina Gore, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 21 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Bliss, Act II, "The Heart-Throb Hotel": Back at the Hotel II, "Yes! Come in!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act II, "The Heart-Throb Hotel": Back at the Hotel II, "Yes! Come in!" by Brett Dean, Amanda Holden, Peter Coleman-Wright, Lorina Gore, Opera Australia Orchestra, Elgar Howarth is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Duos for Flute and Clarinet, Op. 24: No. 1, Andante sostenuto | Robert Muczynski, Séverine Rospocher, Elvira Querol | F Minor | 1 | 4A | 137 BPM | ||
String Quartet No. 15 in G Major, D. 887: III. Scherzo. Allegro vivace – Trio. Allegretto | Franz Schubert, Takács Quartet | D Minor | 0 | 7A | 83 BPM | ||
Sapho: Solitude | Jules Massenet, Munich Radio Orchestra, Herve Niquet | B♭ Major | 1 | 6B | 74 BPM | ||
Concerto No. 2 pour violon et orchestre: II. Molto moderato | Pierre Wissmer, Oleg Kaskiv, Aleksandar Markovic, Sinfonia Varsovia | G Major | 0 | 9B | 76 BPM | ||
The Autumn Leaves | Winfred Jeremiah | D Minor | 1 | 7A | 90 BPM | ||
String Quartet No. 10, Op. 118: III. Adagio | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
The Sword in the Stone Suite (Arr. O. Knussen & C. Matthews): II. Merlyn's Tune and Tree Music | Oliver Knussen, Colin Matthews, Benjamin Britten, Ohio State University Wind Symphony, Russel C. Mikkelson | D Major | 1 | 10B | 78 BPM | ||
The Armed Man (Ensemble Version): VIII. Angry Flames | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera, Kathryn Rudge | G Major | 2 | 9B | 127 BPM | ||
Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
Asociación de ideas | Juan Pablo Fernández Ramos | F Major | 0 | 7B | 136 BPM |
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