Frank Martin, Maria Cebotari, Vienna State Opera Chorus, Budapest Philharmonic Orchestra, Ferenc Fricsay's 'Der Zaubertrank, Pt. 2: XI. In dem Gebüsch der Brombeersträuche' came out on March 15, 2019. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Frank Martin, Budapest Philharmonic Orchestra, Ferenc Fricsay, Maria Cebotari, Alfred Poell's "Martin: Der Zaubertrank" album is number 4 out of 19. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Der Zaubertrank, Pt. 2: XI. In dem Gebüsch der Brombeersträuche is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Der Zaubertrank, Pt. 2: XI. In dem Gebüsch der Brombeersträuche by Frank Martin, Maria Cebotari, Vienna State Opera Chorus, Budapest Philharmonic Orchestra, Ferenc Fricsay to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Bread of Life: Our Father | Bob Chilcott, Wellensian Consort, Christopher Finch | A Major | 1 | 11B | 78 BPM | ||
Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Vespro della Beata Vergine, SV 206: Conclusio (versiculum et responsorium) "Domine, exaudi orationem meam" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Renaud Brès | D Major | 2 | 10B | 99 BPM | ||
8 Short Preludes on Gregorian Themes, Op. 45: IV. Sacris solemniis | Marcel Dupré, Stefan Engels | E Major | 0 | 12B | 131 BPM | ||
Die Matthäus-Passion, BWV244: Recitativo: Trinket alle daraus | Johann Sebastian Bach, Benedikt Kristjánsson, Ensemble Continuum | B Major | 0 | 1B | 68 BPM | ||
Mass for Double Choir: Gloria | Frank Martin, Bavarian Radio Chorus, Peter Dijkstra | A Minor | 0 | 8A | 74 BPM | ||
Requiem Canticles: II. Exaudi | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir | G Minor | 0 | 6A | 140 BPM | ||
Variasjoner over Med Jesus vil eg fara: II. Var 1 | Knut Nystedt, Anders Eidsten Dahl | G Minor | 0 | 6A | 56 BPM | ||
Deo dicamus gratias, HoWV IV.2 | Gottfried August Homilius, Sirventes Berlin, Stefan Schuck | F♯ Major | 1 | 2B | 66 BPM | ||
3 Geistliche Gesänge, Op. 69: No. 3, Abendlied | Josef Rheinberger, Singer Pur | E♭ Major | 1 | 5B | 135 BPM |
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