"Hymne a la Vierge" by Pierre Villette, Salisbury Cathedral Boys & Girls Choir, David Halls, Simon Lole was released on June 8, 2010. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 19 in Angels’ Song: The New Music of Salisbury Cathedral by Salisbury Cathedral Boys & Girls Choir, Simon Lole, David Halls. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Hymne a la Vierge is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hymne a la Vierge by Pierre Villette, Salisbury Cathedral Boys & Girls Choir, David Halls, Simon Lole is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Láska opravdivá, JW IV/8 | Leoš Janáček, Prague Philharmonic Choir, Josef Veselka | F♯ Major | 5 | 2B | 102 BPM | ||
Abide with me | William Henry Monk, Choir of St John's, Elora, Paul Halley | E♭ Major | 1 | 5B | 157 BPM | ||
Mass for Four Voices: II. Gloria in excelsis | William Byrd, Saint Thomas Choir of Men & Boys, Fifth Avenue, New York, Jeremy Filsell, Gerre Hancock | F♯ Minor | 1 | 11A | 81 BPM | ||
Attende Domine, Op. 45 | Pierre Villette, Choir of New College, Oxford, Edward Higginbottom | G Major | 1 | 9B | 84 BPM | ||
Vigilia: No. 4, Avuksihuutopsalmi | Einojuhani Rautavaara, Helsinki Chamber Choir, Nils Schweckendiek | E Major | 1 | 12B | 89 BPM | ||
Motett, "Stilla komme och välkomna vare dagens slut och lön!" | Sara Wennerberg-Reuter, St. Pauli Vokalensemble | F Minor | 3 | 4A | 91 BPM | ||
Messe basse: III. Benedictus | Gabriel Fauré, Isabelle Poulenard, Corydon Singers, Matthew Best, John Scott | A♭ Major | 0 | 4B | 105 BPM | ||
6 Sprüche, Op. 79 (Ed. J. Jordan): No. 2, Am Neujahrstage | Felix Mendelssohn, Westminster Williamson Voices, James Jordan | G Major | 2 | 9B | 77 BPM | ||
Valiant for Truth | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra, Richard Hickox Singers | C Minor | 1 | 5A | 123 BPM | ||
Ay, mi Dios | Pedro de Cristo, Coro de Câmara de Lisboa, Teresita Gutierrez Marques | B Minor | 7 | 10A | 97 BPM |
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