Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live
Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Fabian Enders
Gustav Schreck: Christus, der Auferstandene
5:32 November 23, 2018
BPM
79
Key
C Major
Camelot
8B

Embed

Share Link

Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live - Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Fabian Enders Information

Acousticness
99%
Danceability
27%
Energy
12%
Instrumentalness
0%
Liveness
19%
Loudness
64%
Speechiness
4%
Valence
12%
Popularity
Loudness
-21.409 dB

Summary

"Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live" by Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Fabian Enders was released on November 23, 2018. Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Sächsischer Kammerchor, Fabian Enders, André Khamasmie, Andreas Scheibner, Estelle Haussner, Franziska Abram, Johannes Pietzonka, Julian Dominique Clement, Lars Conrad, Marie Henriette Reinhold, Ute Selbig, Viktoria Wilson's "Gustav Schreck: Christus, der Auferstandene" album is number 1 out of 37. On top of that, Germany appears to be the country where this track was created. Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live BPM

We consider the tempo marking of Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live by Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Fabian Enders to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Choral: O dass ich wäre mitgegangen - Live by Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Sächsischer Kammerchor, Fabian EndersChristus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Choral: O dass ich wäre mitgegangen - LiveGustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Sächsischer Kammerchor, Fabian EndersB Major11B104 BPM
Messa di Gloria: VI. Domine Deus by Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo LarrazMessa di Gloria: VI. Domine DeusGiacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo LarrazF Major07B83 BPM
Notturno by Halfdan Kjerulf, G. Zanger, Kerava QuartetNotturnoHalfdan Kjerulf, G. Zanger, Kerava QuartetC Major08B70 BPM
Concerto for String Orchestra: II. Andante by Graźnya Bacewicz, Sinfonia Of London, John WilsonConcerto for String Orchestra: II. AndanteGraźnya Bacewicz, Sinfonia Of London, John WilsonA Minor48A130 BPM
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger by Richard Strauss, Staatskapelle Halle, Fabrice BollonJosephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhigerRichard Strauss, Staatskapelle Halle, Fabrice BollonD Minor17A135 BPM
Clarinet Sonata in F Minor, Op. 120 No. 1_ I. Allegro appassionato by Johannes Brahms, Joan Enric Lluna, Josu De SolaunClarinet Sonata in F Minor, Op. 120 No. 1_ I. Allegro appassionatoJohannes Brahms, Joan Enric Lluna, Josu De SolaunE♭ Major05B68 BPM
Made Of Dreams by Return Of DreamMade Of DreamsReturn Of DreamB♭ Minor23A172 BPM
Undine: Act II: Entracte by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter EichhornUndine: Act II: EntracteAlbert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter EichhornE♭ Minor02A139 BPM
Kansalaislaulu (Olet maamme armahin Suomenmaa) by SRK Instrumentaali, Virve Ruokokoski, Kristiina PuolitaivalKansalaislaulu (Olet maamme armahin Suomenmaa)SRK Instrumentaali, Virve Ruokokoski, Kristiina PuolitaivalB♭ Major16B64 BPM
The New Four Seasons - Winter: II. Cozy Fireplace and Rain Outside (After Violin Concerto No. 4, Op. 8, RV 297, II. Largo, Arr. by Wolf Kerschek) by Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick LangeThe New Four Seasons - Winter: II. Cozy Fireplace and Rain Outside (After Violin Concerto No. 4, Op. 8, RV 297, II. Largo, Arr. by Wolf Kerschek)Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick LangeB♭ Major16B80 BPM
ISRC
DEN421821001
Label
L-M Records/RCA Records

Section: 0.6960644721984863

End: 0.6999900341033936