"Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live" by Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Fabian Enders was released on November 23, 2018. Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Sächsischer Kammerchor, Fabian Enders, André Khamasmie, Andreas Scheibner, Estelle Haussner, Franziska Abram, Johannes Pietzonka, Julian Dominique Clement, Lars Conrad, Marie Henriette Reinhold, Ute Selbig, Viktoria Wilson's "Gustav Schreck: Christus, der Auferstandene" album is number 1 out of 37. On top of that, Germany appears to be the country where this track was created. Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Einleitung - Live by Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Fabian Enders to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Choral: O dass ich wäre mitgegangen - Live | Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Sächsischer Kammerchor, Fabian Enders | B Major | 1 | 1B | 104 BPM | ||
Messa di Gloria: VI. Domine Deus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | F Major | 0 | 7B | 83 BPM | ||
Notturno | Halfdan Kjerulf, G. Zanger, Kerava Quartet | C Major | 0 | 8B | 70 BPM | ||
Concerto for String Orchestra: II. Andante | Graźnya Bacewicz, Sinfonia Of London, John Wilson | A Minor | 4 | 8A | 130 BPM | ||
Josephs-Legende, Op. 63, TrV 231: Der Sheik verbeugt sich nochmals und winkt noch einmal nach oben. Etwas ruhiger | Richard Strauss, Staatskapelle Halle, Fabrice Bollon | D Minor | 1 | 7A | 135 BPM | ||
Clarinet Sonata in F Minor, Op. 120 No. 1_ I. Allegro appassionato | Johannes Brahms, Joan Enric Lluna, Josu De Solaun | E♭ Major | 0 | 5B | 68 BPM | ||
Made Of Dreams | Return Of Dream | B♭ Minor | 2 | 3A | 172 BPM | ||
Undine: Act II: Entracte | Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn | E♭ Minor | 0 | 2A | 139 BPM | ||
Kansalaislaulu (Olet maamme armahin Suomenmaa) | SRK Instrumentaali, Virve Ruokokoski, Kristiina Puolitaival | B♭ Major | 1 | 6B | 64 BPM | ||
The New Four Seasons - Winter: II. Cozy Fireplace and Rain Outside (After Violin Concerto No. 4, Op. 8, RV 297, II. Largo, Arr. by Wolf Kerschek) | Antonio Vivaldi, Niklas Liepe, WDR Funkhausorchester, Patrick Lange | B♭ Major | 1 | 6B | 80 BPM |
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