"Viola Sonata: I. Impetuoso" by Rebecca Clarke, Tabea Zimmermann, Kirill Gerstein was released on September 17, 2010. Since Viola Sonata: I. Impetuoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "Sonatas for Viola and Piano, Vol. 1". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Viola Sonata: I. Impetuoso is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Viola Sonata: I. Impetuoso by Rebecca Clarke, Tabea Zimmermann, Kirill Gerstein having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Élegie in G Minor, Op. 44 | Alexander Glazunov, Thomas Hoppe, Tabea Zimmermann | G Minor | 0 | 6A | 81 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
中提琴与钢琴奏鸣曲:第一乐章 | Rebecca Clarke, 天之籁音乐 | G Minor | 1 | 6A | 80 BPM | ||
Cançó catalana, No. 1: En el mirall canviant de la mar blava - for alto and piano | Pablo Casals, Tabea Zimmermann, Javier Perianes | G Major | 0 | 9B | 85 BPM | ||
Clarinet Sonata in F Minor, Op. 120 No. 1 (Arr. for Viola & Piano): I. Allegro appassionato | Johannes Brahms, Tabea Zimmermann, Kirill Gerstein | G Major | 1 | 9B | 95 BPM | ||
Sonata in G Minor for Violin & Piano, L. 140: 3. Finale (Très animé) | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | E Minor | 2 | 9A | 91 BPM | ||
Études d‘exécution transcendante, S. 139: X. Allegro agitato molto | Franz Liszt, Kirill Gerstein | B♭ Minor | 2 | 3A | 68 BPM | ||
Piano Quintet In A, Op.81, B. 155: 3. Scherzo (Furiant) (Molto vivace) | Antonín Dvořák, Menahem Pressler, Emerson String Quartet | A Major | 1 | 11B | 70 BPM | ||
Violin Concerto No. 4 in D Minor, Op. 31: I. Andante - Moderato | Henri Vieuxtemps, Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi | D Minor | 1 | 7A | 75 BPM | ||
6 Sonatas for Violin Solo, Op. 27: Sonata No. 3 in D Minor "Ballade" | Eugène Ysaÿe, Hilary Hahn | G Minor | 2 | 6A | 108 BPM |
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