Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso)
Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra
Respighi: Symphonic Poems
6:39 1985
BPM
74
Key
B Minor
Camelot
10A

Embed

Share Link

Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) - Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra Information

Acousticness
91%
Danceability
7%
Energy
4%
Instrumentalness
94%
Liveness
10%
Loudness
64%
Speechiness
4%
Valence
3%
Popularity
Loudness
-21.324 dB

Summary

"Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso)" by Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra was released on 1985. Since Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Respighi: Symphonic Poems". In this album, this song's track order is #2. Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) BPM

With Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) by Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Respighi: Pini di Roma: II. Pini presso una catacomba (Lento - Più mosso) Key

This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 1, Symphony No. 1, "Afro-American": IV. Aspiration (Lento, con risoluzione)William Grant Still, Fort Smith Symphony, John JeterF♯ Major02B141 BPM
Don Quixote, Op. 35: Introduction by Richard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John WeicherDon Quixote, Op. 35: IntroductionRichard Strauss, Fritz Reiner, Antonio Janigro, Milton Preves, John WeicherG Minor16A65 BPM
Verdi: Aida, Act 1: Verdi: Aida, Act 1: "Possente, possente Fthà" (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)Giuseppe Verdi, Riccardo Muti, New Philharmonia OrchestraA♭ Major04B82 BPM
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia by Aram Khachaturian, London Symphony OrchestraKhachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and PhrygiaAram Khachaturian, London Symphony OrchestraA♭ Major14B88 BPM
Notebook for Anna Magdalena Bach: Little Suite: III. Bist du bei mir, BWV 508 by Johann Sebastian Bach, Eugene Ormandy, Philadelphia OrchestraNotebook for Anna Magdalena Bach: Little Suite: III. Bist du bei mir, BWV 508Johann Sebastian Bach, Eugene Ormandy, Philadelphia OrchestraD Major210B81 BPM
Tchaikovsky: Swan Lake, Op. 20, Act III: No. 17, Entrance of the Guests and Waltz by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia OrchestraTchaikovsky: Swan Lake, Op. 20, Act III: No. 17, Entrance of the Guests and WaltzPyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia OrchestraE Major012B118 BPM
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio by Antonín Dvořák, Berliner Philharmoniker, Rafael KubelíkSymphony No.8 In G, Op.88, B. 163: 1. Allegro con brioAntonín Dvořák, Berliner Philharmoniker, Rafael KubelíkG Major29B74 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace by Gustav Holst, Royal Scottish National Orchestra Chorus, Female members, Royal Scottish National Orchestra, David Lloyd-JonesThe Planets, Op. 32: II. Venus, the Bringer of PeaceGustav Holst, Royal Scottish National Orchestra Chorus, Female members, Royal Scottish National Orchestra, David Lloyd-JonesA♭ Major04B55 BPM
Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato by Pyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia OrchestraTchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitatoPyotr Ilyich Tchaikovsky, Wolfgang Sawallisch, Philadelphia OrchestraD Minor87A122 BPM
Verdi: Aida, Act 2: Verdi: Aida, Act 2: "Danza di schiavi mori"Giuseppe Verdi, Riccardo Muti, New Philharmonia OrchestraD Minor37A170 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.8124189376831055

End: 0.8161053657531738