"21 Hungarian Dances, WoO 1 - Orchestral Version: No. 11 in A Minor" by Johannes Brahms, Gewandhausorchester, Kurt Masur was released on January 1, 1983. The duration of 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 11 in A Minor is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 11 in A Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 54 out of 64 in Brahms: Complete Orchestral Works by Johannes Brahms, Kurt Masur, Gewandhausorchester, Misha Dichter, Salvatore Accardo, Heinrich Schiff. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 11 in A Minor is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1 - Orchestral Version: No. 11 in A Minor by Johannes Brahms, Gewandhausorchester, Kurt Masur is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Partita No. 3 In A Minor, BWV 827 : I. Fantasia | Johann Sebastian Bach, Wolfgang Rübsam | A Minor | 0 | 8A | 69 BPM | ||
Etudes-tableaux, Op. 33: No. 8 in G Minor: Moderato | Sergei Rachmaninoff, Idil Biret | B♭ Minor | 3 | 3A | 119 BPM | ||
Novacek: 8 Concert Caprices for Violin and Piano, Op. 5: IV. Perpetuum mobile in D Minor (Vivace non troppo) | Ottokar Novácek, Itzhak Perlman, Samuel Sanders | D Minor | 4 | 7A | 179 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Sinfonia concertante in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Frank Peter Zimmermann, Antoine Tamestit, Bavarian Radio Symphony Orchestra, Radosław Szulc | C Minor | 0 | 5A | 112 BPM | ||
Valses nobles, D 969 (Op.77): Valse No.3 | Franz Schubert, Gil Shaham, Göran Söllscher | C Major | 1 | 8B | 82 BPM | ||
Soffia la Notte | Castello de Rossi | F♯ Minor | 6 | 11A | 180 BPM |
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