William Grant Still, Chicago Sinfonietta, Paul Freeman made "Symphony No. 1, "Afro-American": III. Animato" available on January 1, 2000. The duration of Symphony No. 1, "Afro-American": III. Animato is about 3 minutes long, at 3:23. Based on our data, "Symphony No. 1, "Afro-American": III. Animato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 12 in African Heritage Symphonic Series, Vol. 1 by Chicago Sinfonietta. Based on our statistics, Symphony No. 1, "Afro-American": III. Animato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Symphony No. 1, "Afro-American": III. Animato by William Grant Still, Chicago Sinfonietta, Paul Freeman is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danzas de Panama: I. Tamborito | William Grant Still, Fritz Gearhart, Kathryn Lucktenberg, Leslie Straka, Steve Pologe | A Major | 2 | 11B | 102 BPM | ||
Songs of Separation: Poème | William Grant Still, Videmus | B♭ Major | 1 | 6B | 111 BPM | ||
4 Postludes for Piano & String Orchestra: No. 1. Larghetto - Andante | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | C Major | 0 | 8B | 95 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
Prelude | William Alwyn, Ashley Wass | E Minor | 0 | 9A | 170 BPM | ||
8 Pièces brèves, Op. 84: No. 5, Improvisation in C-Sharp Minor | Gabriel Fauré, Christine Croshaw | F♯ Minor | 0 | 11A | 70 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Symphony No. 3, "The Sunday Symphony": III. Relaxation: Gaily | William Grant Still, Fort Smith Symphony, John Jeter | G Major | 2 | 9B | 80 BPM | ||
Berceuse in D-Flat Major, Op. 57 | Frédéric Chopin, Ruth Slenczynska | D♭ Major | 0 | 3B | 70 BPM |
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