Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly's 'Divertimento for flute, oboe and clarinet, Op. 37 (1952): 4. Andantino' came out on April 18, 2020. With Divertimento for flute, oboe and clarinet, Op. 37 (1952): 4. Andantino being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Work From Home with British Classics by Ralph Vaughan Williams, Gustav Holst, Edward Elgar. The song's track number on the album is #6 out of 186 tracks. Divertimento for flute, oboe and clarinet, Op. 37 (1952): 4. Andantino is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Divertimento for flute, oboe and clarinet, Op. 37 (1952): 4. Andantino by Malcolm Arnold, Emma Johnson, Jaime Martin, Jonathan Kelly has a tempo of 72 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Divertimento for flute, oboe and clarinet, Op. 37 (1952): 4. Andantino being at 72 BPM, the half-time would be 36 BPM with a double-time of 144 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Tombeau de Couperin, M. 68: V. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | G Major | 0 | 9B | 97 BPM | ||
Carnival of Venice | Alamiro Giampieri, Emma Johnson | B♭ Major | 0 | 6B | 171 BPM | ||
English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy" | Ralph Vaughan Williams, Gordon Jacob, Royal Liverpool Philharmonic Orchestra, James Judd | C Minor | 0 | 5A | 92 BPM | ||
River of Crystal Light | Peter Lieuwen, Texas Music Festival Orchestra, David Campbell, Franz Anton Krager, Moores School Symphony Orchestra | D♭ Major | 2 | 3B | 140 BPM | ||
Finlandia, Op. 26, No. 7 | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 3 | 4B | 67 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
4 Scottish Dances, Op. 59: No. 3. Allegretto (arr. J.P. Paynter for wind ensemble) | John P. Paynter, Malcolm Arnold, Dallas Wind Symphony, Frederick Fennell | G Minor | 0 | 6A | 85 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Cat | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 211 BPM | ||
Hora Staccato - Arr. For Trumpet and Salon Orchestra | Grigoras Dinicu, Matthias Höfs, Hamburg Philharmonic Soloists | E♭ Major | 4 | 5B | 169 BPM |
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