"Es gingen zweene Menschen, SWV 444" by Heinrich Schütz, Gerlinde Sämann, Maria Stosiek, Stefan Kunath, Tobias Mäthger, Felix Schwandtke, Karina Müller, Margret Baumgartl, Matthias Müller, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann was released on February 1, 2014. The duration of Es gingen zweene Menschen, SWV 444 is about 3 minutes long, at 3:28. Based on our data, "Es gingen zweene Menschen, SWV 444" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Schütz: Auferstehungshistorie (Complete Recording Vol. 9)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Germany. The popularity of Es gingen zweene Menschen, SWV 444 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Es gingen zweene Menschen, SWV 444 by Heinrich Schütz, Gerlinde Sämann, Maria Stosiek, Stefan Kunath, Tobias Mäthger, Felix Schwandtke, Karina Müller, Margret Baumgartl, Matthias Müller, Hille Perl, Ludger Rémy, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 94 BPM | ||
Stabat Mater pour dix voix et basse continue: IV. Eja mater, fons amoris | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
La Favolla d'Apollo: 17. O mille volte a 8 "La Pellegrina" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | G Major | 4 | 9B | 92 BPM | ||
Prime die Lectio secunda: XIII. Zaïn | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 1 | 2B | 73 BPM | ||
Selig sind die Toten, SWV 391 | Heinrich Schütz, Vox Luminis, Lionel Meunier, Bart Jacobs | F Major | 2 | 7B | 170 BPM | ||
Petite messe solennelle: XI. Credo. Credo in unum Deum | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
Sinfonie et gagliarde, Libro 1: Gagliarda detta la Norsina | Salomone Rossi, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | C Minor | 1 | 5A | 83 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM |
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